1. The Pepys Show: Ghost-Writing and Documentary Desire in The Diary
  2. Harry Berger
  3. pp. 557-591
  4. DOI: 10.1353/elh.1998.0021
  5. restricted access
    • View HTML View
    contents
  1. A Witty French Preacher in the English Court, Dryden, and the Great Debate on the Real Presence, 1661-1688
  2. Anne Barbeau Gardiner
  3. pp. 593-616
  4. DOI: 10.1353/elh.1998.0023
  5. restricted access
    • View HTML View
    contents
  1. Variations on a Theme: Baroque and Neoclassical Aesthetics in the St. Cecilia Day Odes of Dryden and Pope
  2. Clifford Ames
  3. pp. 617-635
  4. DOI: 10.1353/elh.1998.0020
  5. restricted access
    • View HTML View
    contents
  1. Disturbing Surfaces: Representations of the Fragment in The School for Scandal
  2. John M. Picker
  3. pp. 637-652
  4. DOI: 10.1353/elh.1998.0027
  5. restricted access
    • View HTML View
    contents
  1. Yellow Fever and the Slave Trade: Coleridge's The Rime of the Ancient Mariner
  2. Debbie Lee
  3. pp. 675-700
  4. DOI: 10.1353/elh.1998.0026
  5. restricted access
    • View HTML View
    contents
  1. Fear of Falling: Walter Pater's Marius the Epicurean as a Dangerous Influence
  2. Matthew Potolsky
  3. pp. 701-729
  4. DOI: 10.1353/elh.1998.0028
  5. restricted access
    • View HTML View
    contents
  1. "'Men Work Together,' I Told Him from the Heart": Frost's (In)Delicate Masculinity
  2. Karen L. Kilcup
  3. pp. 731-756
  4. DOI: 10.1353/elh.1998.0025
  5. restricted access
    • View HTML View
    contents
  1. Molly Bloom: Acting Natural
  2. Lisa Ruth Sternlieb
  3. pp. 757-778
  4. DOI: 10.1353/elh.1998.0029
  5. restricted access
    • View HTML View
    contents