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Table of Contents

  1. A Bounded Field: Situating Victorian Poetry in the Literary Landscape
  2. Erik Irving Gray
  3. pp. 465-472
  4. DOI: https://doi.org/10.1353/vp.2004.0005
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  1. Reading/Writing the Forgotten: The Poetry of Mary Boddington
  2. Lee O'Brien
  3. pp. 473-481
  4. DOI: https://doi.org/10.1353/vp.2004.0018
  5. restricted access
  1. Doing Things with Poems: Performativity and Cultural Form
  2. Anne Hartman
  3. pp. 481-490
  4. DOI: https://doi.org/10.1353/vp.2004.0007
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  1. Novel Poetry: Transgressing the Law of Genre
  2. Dino Franco Felluga
  3. pp. 490-499
  4. DOI: https://doi.org/10.1353/vp.2004.0003
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  1. Productive Convergences, Producing Converts
  2. Monique R. Morgan
  3. pp. 500-504
  4. DOI: https://doi.org/10.1353/vp.2004.0016
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  1. Why Clough? Why Now?
  2. Vanessa Lyndal Ryan
  3. pp. 504-512
  4. DOI: https://doi.org/10.1353/vp.2004.0022
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  1. Victorian Poetry as Victorian Studies
  2. Stephanie Kuduk
  3. pp. 513-518
  4. DOI: https://doi.org/10.1353/vp.2004.0010
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  1. Post-Romantic Ideologies and Victorian Poetic Practice, or, the Future of Criticism at the Present Time
  2. Charles LaPorte
  3. pp. 519-525
  4. DOI: https://doi.org/10.1353/vp.2004.0011
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  1. Victorian Paperwork
  2. Andrew M. Stauffer
  3. pp. 526-531
  4. DOI: https://doi.org/10.1353/vp.2004.0024
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  1. A Note Upon the "Liquid Crystal Screen" and Victorian Poetry
  2. Parejo Vadillo, Ana, 1969-
  3. pp. 531-536
  4. DOI: https://doi.org/10.1353/vp.2004.0027
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  1. Conjuring the Spirit: Victorian Poetry, Culture, and Technology
  2. Margaret Linley
  3. pp. 536-544
  4. DOI: https://doi.org/10.1353/vp.2004.0012
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  1. In the Valley of the Shadow of Books
  2. William R. McKelvy
  3. pp. 544-552
  4. DOI: https://doi.org/10.1353/vp.2004.0015
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  1. Budgets and Brownings: The Function of Poetry at the Present Time
  2. Robert Sulcer
  3. pp. 552-559
  4. DOI: https://doi.org/10.1353/vp.2004.0025
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  1. From Ancient to Victorian Cultural Studies: Assessing Foucault
  2. Lee Behlman
  3. pp. 559-569
  4. DOI: https://doi.org/10.1353/vp.2004.0001
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  1. Canonicity, Marginality, and the Celebration of the Minor
  2. James Najarian
  3. pp. 570-574
  4. DOI: https://doi.org/10.1353/vp.2004.0017
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  1. What Kind of a Critical Category is "Women's Poetry"?
  2. Marion Thain
  3. pp. 575-584
  4. DOI: https://doi.org/10.1353/vp.2004.0026
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  1. Re-reading Women's Poetry at the Turn of the Century
  2. Katharine McGowran
  3. pp. 584-589
  4. DOI: https://doi.org/10.1353/vp.2004.0014
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  1. On Cultural Neoformalism, Spasmodic Poetry, and the Victorian Ballad
  2. Jason R. Rudy
  3. pp. 590-596
  4. DOI: https://doi.org/10.1353/vp.2004.0021
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  1. Whither, Whether, Woolf: Victorian Poetry and A Room of One's Own
  2. Cornelia D. J. Pearsall
  3. pp. 596-603
  4. DOI: https://doi.org/10.1353/vp.2004.0019
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  1. Victorian Poetry's Modernity
  2. Ivan Kreilkamp
  3. pp. 603-611
  4. DOI: https://doi.org/10.1353/vp.2004.0009
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  1. Consigned to Sepia: Remembering Victorian Poetry
  2. Helen Groth
  3. pp. 611-620
  4. DOI: https://doi.org/10.1353/vp.2004.0006
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  1. Women Poets and the Sister Arts in Nineteenth-Century England
  2. Michele Martinez
  3. pp. 621-628
  4. DOI: https://doi.org/10.1353/vp.2004.0013
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  1. The Ecology of Victorian Poetry
  2. Nicholas Frankel
  3. pp. 629-635
  4. DOI: https://doi.org/10.1353/vp.2004.0004
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  1. "A Use in Measured Language": Poetry and Poetic Criticism after September 11
  2. Rebecca F. Stern
  3. pp. 636-642
  4. DOI: https://doi.org/10.1353/vp.2004.0023
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  1. The Two Voices
  2. John M. Picker
  3. pp. 642-645
  4. DOI: https://doi.org/10.1353/vp.2004.0020
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  1. Introduction
  2. Linda K. Hughes
  3. pp. 459-463
  4. DOI: https://doi.org/10.1353/vp.2004.0008
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  1. Contributors
  3. pp. 647-649
  4. DOI: https://doi.org/10.1353/vp.2004.0002
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