1. Elizabethan England's Other Reformation of Manners
  2. Edwin Davenport
  3. pp. 255-278
  4. DOI: 10.1353/elh.1996.0015
  5. free access
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  1. The Collaborator as Thief: Ralegh's (Re)Vision of The Faerie Queene
  2. James P. Bednarz
  3. pp. 279-307
  4. DOI: 10.1353/elh.1996.0011
  5. free access
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  1. Faustus's Fortunes: Commodification, Exchange, and the Form of Literary Subjectivity
  2. Graham L. Hammill
  3. pp. 309-336
  4. DOI: 10.1353/elh.1996.0016
  5. free access
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  1. "All Language Then Is Vile": The Theatrical Critique of Political Rhetoric in Nathaniel Lee's Lucius Junius Brutus
  2. Victoria Hayne
  3. pp. 337-365
  4. DOI: 10.1353/elh.1996.0014
  5. free access
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  1. Thinking Parables: What Moll Flanders Does Not Say
  2. Steven C. Michael
  3. pp. 367-395
  4. DOI: 10.1353/elh.1996.0018
  5. free access
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  1. The Emergence of "Literature": Making and Reading the English Canon in the Eighteenth Century
  2. Trevor Thornton Ross
  3. pp. 397-422
  4. DOI: 10.1353/elh.1996.0019
  5. free access
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  1. The Fall of Robespierre and the Sublime Machine of Agency
  2. William Jewett
  3. pp. 423-452
  4. DOI: 10.1353/elh.1996.0017
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  1. The 1798 Lyrical Ballads and the Poetics of Late Eighteenth-Century Book Production
  2. Alan D. Boehm
  3. pp. 453-487
  4. DOI: 10.1353/elh.1996.0013
  5. free access
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  1. Henry James, Jack the Ripper, and the Cosmopolitan Jew Staging Authorship in The Tragic Muse
  2. Sara Blair
  3. pp. 489-512
  4. DOI: 10.1353/elh.1996.0012
  5. free access
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  1. The Myth of the Whole: Ford's English Review, the Mercure de France and Early British Modernism
  2. Mark S. Morrisson
  3. pp. 513-533
  4. DOI: 10.1353/elh.1996.0020
  5. free access
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