1. In Memoriam: Adeline R. Tintner (1912-2003)
  2. Daniel Mark Fogel
  3. pp. 1-3
  4. DOI: 10.1353/hjr.2004.0004
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  1. Nanda's Smile: Teaching James and the Sense of Humor
  2. Adrian Poole
  3. pp. 4-18
  4. DOI: 10.1353/hjr.2004.0009
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  1. "Too Real": Teaching, Reading, Living Henry James
  2. Martha Banta
  3. pp. 19-32
  4. DOI: 10.1353/hjr.2004.0002
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  1. "Framed and Wired": Teaching "In the Cage" at the Intersection of Literature and Media
  2. Richard Menke
  3. pp. 33-43
  4. DOI: 10.1353/hjr.2004.0008
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  1. A Focus on the "Surrounding Scene": Examining Paris in The Ambassadors
  2. Erika Dreifus
  3. pp. 44-51
  4. DOI: 10.1353/hjr.2004.0003
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  1. The Counterfeit Symbol in Henry James's The Golden Bowl
  2. Brenda Austin-Smith
  3. pp. 52-66
  4. DOI: 10.1353/hjr.2004.0011
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  1. Portrait of an Act: Aesthetics and Ethics in The Portrait of a Lady
  2. Sigi Jottkandt
  3. pp. 67-86
  4. DOI: 10.1353/hjr.2004.0007
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  1. Sex, Lies, and Motion Pictures
  2. Ruth Bernard Yeazell
  3. pp. 87-96
  4. DOI: 10.1353/hjr.2004.0012
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  1. Hollywoodizing Henry James: Jack Clayton's The Innocents (1961)
  2. Laurence Raw
  3. pp. 97-109
  4. DOI: 10.1353/hjr.2004.0010
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  1. The Twentieth-Century World of Henry James: Changes in His Work After 1900 (review)
  2. Robert L. Gale
  3. pp. 110-112
  4. DOI: 10.1353/hjr.2004.0005
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  1. Henry James: A Certain Illusion (review)
  2. Tessa Hadley
  3. pp. 112-114
  4. DOI: 10.1353/hjr.2004.0006
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