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Table of Contents

  1. (Dis)embodied Letters and The Merchant of Venice: Writing, Editing, History
  2. Howard Marchitello
  3. pp. 237-265
  4. DOI: https://doi.org/10.1353/elh.1995.0016
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  1. Aborting the "Mother Plot": Politics and Generation in Absalom and Achitophel
  2. Susan C. Greenfield
  3. pp. 267-293
  4. DOI: https://doi.org/10.1353/elh.1995.0013
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  1. Imagining the Nation in Defoe's A Tour Thro' the Whole Island of Great Britain
  2. Betty A. Schellenberg
  3. pp. 295-311
  4. DOI: https://doi.org/10.1353/elh.1995.0017
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  1. The Two Amelias: Henry Fielding and Elizabeth Justice
  2. Elizabeth Kraft
  3. pp. 313-328
  4. DOI: https://doi.org/10.1353/elh.1995.0014
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  1. The Story of O: Politics and Pleasure in The Vicar of Wakefield
  2. Timothy Dykstal
  3. pp. 329-346
  4. DOI: https://doi.org/10.1353/elh.1995.0012
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  1. Graved in Tropes: The Figural Logic of Epitaphs and Elegies in Blair, Gray, Cowper, and Wordsworth
  2. Lorna Clymer
  3. pp. 347-386
  4. DOI: https://doi.org/10.1353/elh.1995.0011
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  1. The Churchyard Among the Wordsworthian Mountains: Mapping the Common Ground of Death and the Reconfiguration of Romantic Community
  2. Michele Turner Sharp
  3. pp. 387-407
  4. DOI: https://doi.org/10.1353/elh.1995.0019
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  1. Acting Naturally: Bronte, Lewes, and the Problem of Gender Performance
  2. Lynn M. Voskuil
  3. pp. 409-442
  4. DOI: https://doi.org/10.1353/elh.1995.0020
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  1. "The Commerce of Shady Wares": Politics and Pornography in Conrad's The Secret Agent
  2. Brian W. Shaffer
  3. pp. 443-466
  4. DOI: https://doi.org/10.1353/elh.1995.0018
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  1. Elizabeth Bishop's Social Conscience
  2. James Longenbach
  3. pp. 467-486
  4. DOI: https://doi.org/10.1353/elh.1995.0015
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