1. Chaucer's Legend of Lucrece and the Critique of Ideology in Fourteenth/Century England
  2. Andrew Scott Galloway
  3. pp. 813-832
  4. DOI: 10.1353/elh.1993.0002
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  1. Base Trade: Theater as Prostitution
  2. Joseph Lenz
  3. pp. 833-855
  4. DOI: 10.1353/elh.1993.0005
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  1. Coming Out in Shakespeare's The Two Gentlemen of Verona
  2. J. L. Simmons
  3. pp. 857-877
  4. DOI: 10.1353/elh.1993.0010
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  1. The Triumphes of Golde: Economic Authority in the Jacobean Lord Mayor's Show
  2. Sergei Lobanov-Rostovsky
  3. pp. 879-898
  4. DOI: 10.1353/elh.1993.0006
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  1. "Not I, But Christ": Allegory and the Puritan Self
  2. Thomas H. Luxon
  3. pp. 899-937
  4. DOI: 10.1353/elh.1993.0008
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  1. Of Caleb's Guilt and Godwin's Truth: Ideology and Ethics in Caleb Williams
  2. Gary J. Handwerk
  3. pp. 939-960
  4. DOI: 10.1353/elh.1993.0003
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  1. Chiasmus and the Making of Literary Tradition: The Case of Wordsworth and "The Days of Dryden and Pope"
  2. Sanford Budick
  3. pp. 961-987
  4. DOI: 10.1353/elh.1993.0001
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  1. Browning's Pygmalion and the Revenge of Galatea
  2. Catherine Maxwell
  3. pp. 989-1013
  4. DOI: 10.1353/elh.1993.0009
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  1. Pound, BLAST, and Syndicalism
  2. David Kadlec
  3. pp. 1015-1031
  4. DOI: 10.1353/elh.1993.0004
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  1. Bourdieu and the Society of Aesthetics
  2. Jonathan Loesberg
  3. pp. 1033-1056
  4. DOI: 10.1353/elh.1993.0007
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