1. Editor's Column
  2. James Phelan
  3. pp. 1-2
  4. DOI: 10.1353/nar.2003.0021
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  1. Ambiguity and Historicism: Interpreting Confessions of a Thug
  2. Mary Poovey
  3. pp. 3-21
  4. DOI: 10.1353/nar.2003.0025
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  1. Omniscience
  2. Jonathan D. Culler
  3. pp. 22-34
  4. DOI: 10.1353/nar.2003.0020
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  1. Free Indirect Discourse and Narrative Authority in Emma
  2. Daniel P. Gunn
  3. pp. 35-54
  4. DOI: 10.1353/nar.2003.0023
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  1. The Yellow Mask, the Black Robe, and the Woman in White: Wilkie Collins, Anti-Catholic Discourse, and the Sensation Novel
  2. Susan M. Griffin
  3. pp. 55-73
  4. DOI: 10.1353/nar.2003.0019
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  1. Oscar Wilde, The Picture of Dorian Gray, and the (Un)Death of the Author
  2. Elana Gomel
  3. pp. 74-92
  4. DOI: 10.1353/nar.2003.0022
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  1. Talking Narrative: A Conversation with David Antin
  2. David Antin, Brian McHale, Dan Boord, Jon Erickson, Bruce A. Heiden, Rick Livingston, Michael Mercil, Amy Shuman
  3. pp. 93-115
  4. DOI: 10.1353/nar.2003.0024
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