1. The "Other" Billings: The Life and Music of Nathaniel Billings (1768-1853), An Early American Composer
  2. Karl Kroeger, Joan R. Callahan
  3. pp. 377-392
  4. DOI: 10.1353/not.2003.0155
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  1. Pictures From an Exhibition: Curating Lift Every Voice at the University of Virginia
  2. Mary Prendergast
  3. pp. 393-406
  4. DOI: 10.1353/not.2003.0168
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  1. Music and Culture in Late Renaissance Italy (review)
  2. Anthony M. Cummings
  3. pp. 417-420
  4. DOI: 10.1353/not.2003.0148
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  1. Paying the Piper: Music in Pre-1642 Cheshire (review)
  2. Magnus Williamson
  3. pp. 420-422
  4. DOI: 10.1353/not.2003.0176
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  1. Music Is the Weapon of the Future: Fifty Years of African Popular Music (review)
  2. Ingrid Byerly
  3. pp. 422-425
  4. DOI: 10.1353/not.2003.0142
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  1. Music in Puerto Rico: A Reader's Anthology (review)
  2. Mario Ortiz
  3. pp. 425-426
  4. DOI: 10.1353/not.2003.0166
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  1. Cuban Fire: The Story of Salsa and Latin Jazz (review)
  2. George Torres
  3. pp. 426-428
  4. DOI: 10.1353/not.2003.0175
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  1. Settling the Pop Score: Pop Texts and Identity Politics (review)
  2. Paul Christiansen
  3. pp. 428-431
  4. DOI: 10.1353/not.2003.0145
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  1. Gender, Sexuality, and Early Music (review)
  2. Richard J. Agee
  3. pp. 431-433
  4. DOI: 10.1353/not.2003.0138
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  1. Music, Sensation, and Sensuality (review)
  2. Linda Kouvaras
  3. pp. 433-434
  4. DOI: 10.1353/not.2003.0154
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  1. Joseph Haydn and the Eighteenth Century: Collected Essays of Karl Geiringer (review)
  2. Malcolm S. Cole
  3. pp. 435-437
  4. DOI: 10.1353/not.2003.0147
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  1. Operatic Reform in Turin's Teatro Regio: Aspects of Production and Stylistic Change in the 1760s (review)
  2. Anthony R. DelDonna
  3. pp. 437-439
  4. DOI: 10.1353/not.2003.0149
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  1. Eighteenth Century Continuo Playing: A Historical Guide to the Basics (review)
  2. Matthew Charles Dirst
  3. pp. 439-440
  4. DOI: 10.1353/not.2003.0150
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  1. The Characteristic Symphony in the Age of Haydn and Beethoven (review)
  2. Melanie Diane Lowe
  3. pp. 440-442
  4. DOI: 10.1353/not.2003.0161
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  1. The Garland Encyclopedia of World Music. Vol. 10: The World's Music: General Perspectives and Reference Tools (review)
  2. Christopher Schiff
  3. pp. 446-448
  4. DOI: 10.1353/not.2003.0169
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  1. Music of the Twentieth-Century Avant-Garde: A Bio-Critical Sourcebook, and: Steve Reich: A Bio-Bibliography (review)
  2. Peter Laki
  3. pp. 448-449
  4. DOI: 10.1353/not.2003.0157
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  1. Copland Connotations: Studies and Interviews (review)
  2. Robert Carl
  3. pp. 450-452
  4. DOI: 10.1353/not.2003.0143
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  1. Bartok and the Piano: A Performer's View (review)
  2. David Witten
  3. pp. 452-455
  4. DOI: 10.1353/not.2003.0177
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  1. Arthur Bliss: Music and Literature, and: Michael Tippett: Music and Literature (review)
  2. Renee Cherie Clark
  3. pp. 455-456
  4. DOI: 10.1353/not.2003.0146
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  1. Charles Villiers Stanford (review)
  2. Julian Onderdonk
  3. pp. 456-458
  4. DOI: 10.1353/not.2003.0165
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  1. Gustav Mahler als Konzert- und Operndirigent in Hamburg (review)
  2. Stephen McClatchie
  3. pp. 458-460
  4. DOI: 10.1353/not.2003.0163
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  1. Jacques Offenbach and the Paris of His Time (review)
  2. Victor Fell Yellin
  3. pp. 460-462
  4. DOI: 10.1353/not.2003.0178
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  1. Opera on Stage (review)
  2. Stefanie Stella Tcharos
  3. pp. 462-464
  4. DOI: 10.1353/not.2003.0173
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  1. The Viol: History of an Instrument (review)
  2. Elisabeth LeGuin
  3. pp. 464-467
  4. DOI: 10.1353/not.2003.0159
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  1. The Guitar and Its Music: From the Renaissance to the Classical Era (review)
  2. Charles Dowell Youmans
  3. pp. 467-468
  4. DOI: 10.1353/not.2003.0179
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  1. Women Performing Music: The Emergence of American Women as Classical Instrumentalists and Conductors (review)
  2. Constance Mayer
  3. pp. 469-470
  4. DOI: 10.1353/not.2003.0162
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  1. Books Recently Published
  2. Stephen Yusko, Karen R. Little
  3. pp. 471-505
  4. DOI: 10.1353/not.2003.0180
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  1. Music and Culture of West Africa: The Straus Expedition (review)
  2. Eric S. Charry
  3. pp. 508-510
  4. DOI: 10.1353/not.2003.0144
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  1. Online Hymn Resources
  2. Esther Gillie
  3. pp. 510-514
  4. DOI: 10.1353/not.2003.0151
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  1. Sound Recording Reviews
  2. Rick Anderson
  3. pp. 515-520
  4. DOI: 10.1353/not.2003.0139
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  1. Music Publishers' Catalogs
  2. George Robert Hill
  3. pp. 521-523
  4. DOI: 10.1353/not.2003.0152
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  1. Musik fur Saiteninstrumente, Schlagzeug und Celesta: Faksimile des Partiturautographs und der Skizzen (review)
  2. Carl Stuart Leafstedt
  3. pp. 524-529
  4. DOI: 10.1353/not.2003.0158
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  1. Batori Maria: Opera ket felvonasban (review)
  2. David E. Schneider
  3. pp. 529-533
  4. DOI: 10.1353/not.2003.0170
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  1. Concerti musicali, Opus 6, and: Sinfonia in D (G. 21) for 1/2 Trumpet(s), Strings & Continuo (review)
  2. Michael Talbot
  3. pp. 534-538
  4. DOI: 10.1353/not.2003.0172
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  1. Werke fur Chor und Orchester, and: Klavierkonzerte II (review)
  2. Clive Brown
  3. pp. 538-541
  4. DOI: 10.1353/not.2003.0141
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  1. Semele: An Opera (review)
  2. Graydon Fisher Beeks
  3. pp. 541-543
  4. DOI: 10.1353/not.2003.0140
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  1. The Picture of Dorian Gray, op. 45: Opera in Two Acts (review)
  2. Leonard Lehrman
  3. pp. 548-551
  4. DOI: 10.1353/not.2003.0160
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  1. Prices of Music Monographs and Scores as Reflected in Notes, 1997-2002
  2. Bradley H. Short
  3. pp. 407-414
  4. DOI: 10.1353/not.2003.0171
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  1. Notes for NOTES
  2. pp. 415-416
  3. DOI: 10.1353/not.2003.0164
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  1. Emusicquest: The Music-In-Print Series (review)
  2. Lisa Rae Philpott
  3. pp. 506-508
  4. DOI: 10.1353/not.2003.0167
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  1. Music Received
  2. David Knapp
  3. pp. 552-564
  4. DOI: 10.1353/not.2003.0153
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