1. Introduction: Notes Toward a Generic Reconstitution of Literary Study
  2. Ralph Cohen
  3. pp. v-xvi
  4. DOI: 10.1353/nlh.2003.0041
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  1. Classical Genre in Theory and Practice
  2. Joseph Farrell
  3. pp. 383-408
  4. DOI: 10.1353/nlh.2003.0032
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  1. The Aphorism: Fragments from the Breakdown of Reason
  2. Gary Saul Morson
  3. pp. 409-429
  4. DOI: 10.1353/nlh.2003.0035
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  1. Morus: The Generic Window
  2. Fredric Jameson
  3. pp. 431-451
  4. DOI: 10.1353/nlh.2003.0033
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  1. Mauvais Genres
  2. Michael Prince
  3. pp. 452-479
  4. DOI: 10.1353/nlh.2003.0036
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  1. Traveling Genres
  2. Margaret Cohen
  3. pp. 481-499
  4. DOI: 10.1353/nlh.2003.0040
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  1. Questions of Genre in Early Nineteenth-Century French Painting
  2. Stephen Bann
  3. pp. 501-511
  4. DOI: 10.1353/nlh.2003.0026
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  1. Genres of Work: The Folktale and Silas Marner
  2. Susan Stewart
  3. pp. 513-533
  4. DOI: 10.1353/nlh.2003.0037
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  1. Herbert Horne's Diversi Colores (1891): Incarnating the Religion of Beauty
  2. Jerome J. McGann
  3. pp. 535-552
  4. DOI: 10.1353/nlh.2003.0034
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  1. Maximal Tensions and Minimal Conditions: Tynianov as Genre Theorist
  2. David Duff
  3. pp. 553-563
  4. DOI: 10.1353/nlh.2003.0031
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  1. The Ode as an Oratorical Genre
  2. IUrii Nikolaevich Tynianov, Ann Shukman
  3. pp. 565-596
  4. DOI: 10.1353/nlh.2003.0038
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  1. Anomalies of Genre: The Utility of Theory and History for the Study of Literary Genres
  2. Hayden V. White
  3. pp. 597-615
  4. DOI: 10.1353/nlh.2003.0039
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  1. Contributors
  2. pp. 617-618
  3. DOI: 10.1353/nlh.2003.0030
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  1. Books Received
  2. pp. 619-621
  3. DOI: 10.1353/nlh.2003.0027
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