1. Embryonic Individuals: The Rhetoric of Seventeenth-Century Embryology and the Construction of Early-Modern Identity
  2. Eve Keller
  3. pp. 321-348
  4. DOI: 10.1353/ecs.2000.0027
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  1. William Gilpin and the Latitudinarian Picturesque
  2. Robert J. Mayhew
  3. pp. 349-366
  4. DOI: 10.1353/ecs.2000.0028
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  1. From Feminism to Biblical Criticism: The Theological Trajectory of Francois Poulain de la Barre
  2. Siep Stuurman
  3. pp. 367-382
  4. DOI: 10.1353/ecs.2000.0033
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  1. Beyond the Particular and the Universal: D'Alembert's "Discours preliminaire" to the Encyclopedie
  2. Claudia Moscovici
  3. pp. 383-400
  4. DOI: 10.1353/ecs.2000.0031
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  1. Picturing Tragedy: Mrs. Siddons as The Tragic Muse Revisited
  2. Heather McPherson
  3. pp. 401-430
  4. DOI: 10.1353/ecs.2000.0029
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  1. Chardin's Time: Reflections on the Tercentenary Exhibition and Twenty Years of Chardin Scholarship
  2. Frederic Ogee
  3. pp. 431-450
  4. DOI: 10.1353/ecs.2000.0030
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  1. Watteau and his World: French Drawing from 1700 to 1750 (review)
  2. Sarah R. Cohen
  3. pp. 451-453
  4. DOI: 10.1353/ecs.2000.0025
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  1. A Treasure House in Farmington: The Lewis Walpole Library (review)
  2. Peter Sabor
  3. pp. 454-456
  4. DOI: 10.1353/ecs.2000.0032
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  1. William Beckford: An English Fidalgo, and: William Beckford: Composing for Mozart (review)
  2. Kevin Berland
  3. pp. 457-460
  4. DOI: 10.1353/ecs.2000.0022
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  1. Genossenschaft, Sekte, Verein in Deutschland, vol. 1: Vom Spatmittelalter bis zur Franzosischen Revolution, and: Freimaurerei um 1800: Ignaz Aurelius Fessler und die Reform der Grossloge Royal York in Berlin (review)
  2. Robert Beachy
  3. pp. 460-462
  4. DOI: 10.1353/ecs.2000.0021
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  1. From the Royal to the Republican Body: Incorporating the Political in Seventeenth- and Eighteenth-Century France, and: The Body in Parts: Fantasies of Corporeality in Early Modern Europe (review)
  2. Sarah R. Cohen
  3. pp. 462-466
  4. DOI: 10.1353/ecs.2000.0026
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  1. Voltaire and the Theatre of the Eighteenth Century, and: L'Esthetique du tableau dans le theatre du XVIIIe siecle, and: Die napoleonische Theaterpolitik: Geschaftstheater in Paris 1799-1815, and: French Theatre in the Neo-Classical Era, 1550-1789, and: From Beaumarchais to Chenier: the droits d'auteur and the fall of the Comedie Francaise, 1777-1791, and: The Contested Parterre: Public Theater and French Political Culture, 1680-1791 (review)
  2. Gregory S. Brown
  3. pp. 466-471
  4. DOI: 10.1353/ecs.2000.0024
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  1. New Essays on Samuel Richardson, and: The Work(s) of Samuel Richardson, and: Speaking in Hunger: Gender, Discourse, and Consumption in "Clarissa", and: Samuel Richardson's New Nation: Paragons of the Domestic Sphere and "Native" Virtue (review)
  2. Janine Barchas
  3. pp. 471-474
  4. DOI: 10.1353/ecs.2000.0020
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  1. The House of Forgery in Eighteenth-Century Britain, and: Reforging Shakespeare: The Story of a Theatrical Scandal (review)
  2. Bruce Whiteman
  3. pp. 474-476
  4. DOI: 10.1353/ecs.2000.0034
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  1. Books Received
  3. pp. 477-479
  4. DOI: 10.1353/ecs.2000.0023
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