1. The English Auction: Narratives of Dismantlings
  2. Cynthia Wall
  3. pp. 1-25
  4. DOI: 10.1353/ecs.1997.0059
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  1. Fashion in the Mercure: From Human Foible to Female Failing
  2. Reed Benhamou
  3. pp. 27-43
  4. DOI: 10.1353/ecs.1997.0043
  5. restricted access View |
  1. The Rape of the Lock and the Economy of "Trivial Things"
  2. A. S. Crehan
  3. pp. 45-68
  4. DOI: 10.1353/ecs.1997.0051
  5. restricted access View |
  1. Commerce and Masochistic Desire in the 1790s: Frances Burney's Camilla
  2. Andrea K. Henderson
  3. pp. 69-86
  4. DOI: 10.1353/ecs.1997.0052
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  1. A Course of Antiquities at Rome, 1764
  2. Jules David Prown
  3. pp. 90-100
  4. DOI: 10.1353/ecs.1997.0058
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  1. Grand and Ghostly Tours: The Topography of Memory
  2. Chloe Chard
  3. pp. 101-108
  4. DOI: 10.1353/ecs.1997.0050
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  1. The Body of the Collector and the Collected Body in William Hamilton's Naples
  2. David D. Nolta
  3. pp. 108-114
  4. DOI: 10.1353/ecs.1997.0057
  5. restricted access View |
  1. The Business of Art in Eighteenth-Century Amsterdam: Painting as a Contribution to the Wealth of the Nation
  2. Eveline Koolhaas-Grosfeld
  3. pp. 115-122
  4. DOI: 10.1353/ecs.1997.0056
  5. restricted access View |
  1. A Small-Scale Culture: Dutch Eighteenth-Century Periodicals and the Paradoxes of Decline
  2. G. J. Johannes
  3. pp. 122-129
  4. DOI: 10.1353/ecs.1997.0055
  5. restricted access View |
  1. The Cultural Universe of a Dutch Child: Otto van Eck and his literature
  2. Arianne Baggerman
  3. pp. 129-134
  4. DOI: 10.1353/ecs.1997.0042
  5. restricted access View |
  1. Exhibition Review: Hvis engle kunne male. .. Jens Juels portraetkunst. (6 August-20 October 1996). Det Nationalhistoriske Museum pa Frederiksborg
  2. Paula Rea Radisich
  3. pp. 135-137
  4. DOI: 10.1353/ecs.1997.0053
  5. restricted access View |
  1. The Fame Machine: Book Reviewing and Literary Careers (review)
  2. Maureen Harkin
  3. pp. 139-140
  4. DOI: 10.1353/ecs.1997.0046
  5. restricted access View |
  1. Going Public: Women and Publishing in Early Modern France (review)
  2. Thomas E. Kaiser
  3. pp. 140-141
  4. DOI: 10.1353/ecs.1997.0047
  5. restricted access View |
  1. Sir Joshua Reynolds, The Subject Pictures, and: The Painter in Society (review)
  2. Wendy Wassyng Roworth
  3. pp. 142-143
  4. DOI: 10.1353/ecs.1997.0049
  5. restricted access View |
  1. Book Rreview: Writing and the Rise of Finance: Capital Satires of the Early Eighteenth Century
  2. Sandra Sherman
  3. pp. 144-145
  4. DOI: 10.1353/ecs.1997.0048
  5. restricted access View |
  1. The Politics of Motherhood: British Writing and Culture, 1680-1760, and: Children, Parents, and the Rise of the Novel, and: Disciplines of Virtue: Girls' Culture in the Eighteenth and Nineteenth Centuries (review)
  2. Jennifer Thorn
  3. pp. 145-148
  4. DOI: 10.1353/ecs.1997.0045
  5. restricted access View |
  1. Introduction: The Grand Tour
  2. Kay Dian Kriz
  3. pp. 87-89
  4. DOI: 10.1353/ecs.1997.0054
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  1. Books Recently Received
  3. pp. 149-151
  4. DOI: 10.1353/ecs.1997.0044
  5. restricted access View |