1. Heroic Song: A Proposal for a Revised History of English Theater and Opera, 1656- 1711
  2. James Anderson Winn
  3. pp. 113-137
  4. DOI: 10.1353/ecs.1997.0007
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  1. Parenthesis at the Center: The Complex Embrace of The Hind and the Panther
  2. Anne Cotterill
  3. pp. 139-158
  4. DOI: 10.1353/ecs.1997.0005
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  1. Swift's Holyhead Journal and Circumstantial Talk in Early Modern England
  2. Michael Rosenblum
  3. pp. 159-172
  4. DOI: 10.1353/ecs.1997.0006
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  1. Rhetoric and the Novel in the Eighteenth-Century British University Curriculum
  2. Paul Gregory Bator
  3. pp. 173-195
  4. DOI: 10.1353/ecs.1997.0001
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  1. Faust the Theologian, and: The Beautiful Soul: Aesthetic Morality in the Eighteenth Century (review)
  2. Van der Laan, James M., 1955-
  3. pp. 197-198
  4. DOI: 10.1353/ecs.1997.0004
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  1. Opera and the Enlightenment, and: Haydn, Mozart and the Viennese School, 1740-1780, and: Gluck: An Eighteenth-Century Portrait in Letters and Documents, and: Handel and His Singers: The Creation of the Royal Academy Operas, 1720-1728, and: On Mozart, and: Handel's Oratorios and Eighteenth-Century Thought (review)
  2. John T. Winemiller
  3. pp. 199-202
  4. DOI: 10.1353/ecs.1997.0003
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  1. Books Recently Received
  3. pp. 203-206
  4. DOI: 10.1353/ecs.1997.0002
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