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Table of Contents

  1. Parody, Gender and Transformation in Gay and Handel's Acis and Galatea
  2. Dianne Dugaw
  3. pp. 345-367
  4. DOI: https://doi.org/10.1353/ecs.1996.0036
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  1. Garrick's Body and the Labor of Art in Eighteenth-Century Theater
  2. Denise S. Sechelski
  3. pp. 369-389
  4. DOI: https://doi.org/10.1353/ecs.1996.0028
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  1. La Reine Boit!: Print, Performance, and Theater Publics in France, 1724-1725
  2. Jeffrey S. Ravel
  3. pp. 391-411
  4. DOI: https://doi.org/10.1353/ecs.1996.0037
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  1. Sleep-Walking Out of the Revolution: Brown's Edgar Huntly
  2. Paul Downes
  3. pp. 413-431
  4. DOI: https://doi.org/10.1353/ecs.1996.0035
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  1. Exhibition Review: Jean de La Fontaine
  2. Susan Taylor-Leduc
  3. pp. 433-434
  4. DOI: https://doi.org/10.1353/ecs.1996.0038
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  1. Natural Masques: Gender and Identity in Fielding's Plays and Novel (review)
  2. Kristina Straub
  3. pp. 435-436
  4. DOI: https://doi.org/10.1353/ecs.1996.0031
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  1. Roubiliac and the Eighteenth-Century Monument, Sculpture as Theatre (review)
  2. Andrew McClellan
  3. pp. 436-438
  4. DOI: https://doi.org/10.1353/ecs.1996.0030
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  1. The Art of Dress: Fashion in England and France 1750-1820, and: The Expression of the Passions: The Origin and Influence of Charles Le Brun's Conference sur l'expression generale et particulière (review)
  2. Sarah R. Cohen
  3. pp. 438-439
  4. DOI: https://doi.org/10.1353/ecs.1996.0034
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  1. Women, Writing, and Revolution, 1790-1827, and: Revolution and the Form of the British Novel, 1790-1825, and: Unsex'd Revolutionaries (review)
  2. Claudia L. Johnson
  3. pp. 440-443
  4. DOI: https://doi.org/10.1353/ecs.1996.0033
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  1. Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace 1670-1820 (review)
  2. Lennard J. Davis
  3. pp. 443-445
  4. DOI: https://doi.org/10.1353/ecs.1996.0032
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  1. Books Recently Received
  3. pp. 447-449
  4. DOI: https://doi.org/10.1353/ecs.1996.0029
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