restricted access   Volume 29, Number 4, Summer 1996

Table of Contents

From: Eighteenth-Century Studies

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Performances

Parody, Gender and Transformation in Gay and Handel's Acis and Galatea

pp. 345-367
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Garrick's Body and the Labor of Art in Eighteenth-Century Theater

pp. 369-389
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La Reine Boit!: Print, Performance, and Theater Publics in France, 1724-1725

pp. 391-411
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Sleep-Walking Out of the Revolution: Brown's Edgar Huntly

pp. 413-431
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Exhibition Review

Exhibition Review: Jean de La Fontaine

pp. 433-434
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Book Reviews

Natural Masques: Gender and Identity in Fielding's Plays and Novel (review)

pp. 435-436
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Roubiliac and the Eighteenth-Century Monument, Sculpture as Theatre (review)

pp. 436-438
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The Art of Dress: Fashion in England and France 1750-1820, and: The Expression of the Passions: The Origin and Influence of Charles Le Brun's Conference sur l'expression generale et particulière (review)

pp. 438-439
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Women, Writing, and Revolution, 1790-1827, and: Revolution and the Form of the British Novel, 1790-1825, and: Unsex'd Revolutionaries (review)

pp. 440-443
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Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace 1670-1820 (review)

pp. 443-445
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Books Recently Received

pp. 447-449
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