In this Issue

Table of Contents

Parody, Gender and Transformation in Gay and Handel's Acis and Galatea

Dianne Dugaw
pp. 345-367
DOI: https://doi.org/10.1353/ecs.1996.0036
restricted access

Garrick's Body and the Labor of Art in Eighteenth-Century Theater

Denise S. Sechelski
pp. 369-389
DOI: https://doi.org/10.1353/ecs.1996.0028
restricted access

La Reine Boit!: Print, Performance, and Theater Publics in France, 1724-1725

Jeffrey S. Ravel
pp. 391-411
DOI: https://doi.org/10.1353/ecs.1996.0037
restricted access

Sleep-Walking Out of the Revolution: Brown's Edgar Huntly

Paul Downes
pp. 413-431
DOI: https://doi.org/10.1353/ecs.1996.0035
restricted access

Exhibition Review: Jean de La Fontaine

Susan Taylor-Leduc
pp. 433-434
DOI: https://doi.org/10.1353/ecs.1996.0038
restricted access

Natural Masques: Gender and Identity in Fielding's Plays and Novel (review)

Kristina Straub
pp. 435-436
DOI: https://doi.org/10.1353/ecs.1996.0031
restricted access

Roubiliac and the Eighteenth-Century Monument, Sculpture as Theatre (review)

Andrew McClellan
pp. 436-438
DOI: https://doi.org/10.1353/ecs.1996.0030
restricted access

The Art of Dress: Fashion in England and France 1750-1820, and: The Expression of the Passions: The Origin and Influence of Charles Le Brun's Conference sur l'expression generale et particulière (review)

Sarah R. Cohen
pp. 438-439
DOI: https://doi.org/10.1353/ecs.1996.0034
restricted access

Women, Writing, and Revolution, 1790-1827, and: Revolution and the Form of the British Novel, 1790-1825, and: Unsex'd Revolutionaries (review)

Claudia L. Johnson
pp. 440-443
DOI: https://doi.org/10.1353/ecs.1996.0033
restricted access

Nobody's Story: The Vanishing Acts of Women Writers in the Marketplace 1670-1820 (review)

Lennard J. Davis
pp. 443-445
DOI: https://doi.org/10.1353/ecs.1996.0032
restricted access

Books Recently Received

pp. 447-449
DOI: https://doi.org/10.1353/ecs.1996.0029
restricted access