In this Issue

Table of Contents

Operatic Fictions: Technology, Identity, and Profit A Note from the Guest Editor

Marcus R. Pyle
pp. 1-4
restricted access

Terence Blanchard: An Oral History of Fire and Champion

Rosalyn Story
pp. 1-6
restricted access

Lost in the House of Mirrors: Reflections on Opera Audiences

Nicolò Palazzetti
pp. 1-9
restricted access

The Intimacies of Camilla Williams's "Black Butterfly": Negotiating Racial Fictions and Subjectivities on the Operatic Stage

Annie Kim
pp. 1-19
restricted access

Hybridity in Translation: The Libretto and Surtitles of the Contemporary Chinese American Opera Paradise Interrupted

Kara Riopelle
pp. 1-20
restricted access

Staging Opera in the Films of João César Monteiro

José Nicolau Pinto
pp. 1-22
restricted access

Vilhelmine's Virtuosity Reenacted: (Re) Presenting Femininity in Eighteenth-Century Comic Opera

Peter Koch Gehlshøj
pp. 1-23
restricted access

An Audience of One: Watching Opera Online

Christopher Morris
pp. 1-23
restricted access

Electrical Effects at the Paris Opera: Instrument Makers, the Arc Lamp, and Giacomo Meyerbeer's 1849 Le Prophète

Kimberly Francis, Sofie Lachapelle, Stephanie Frakes
pp. 1-24
open access

Selling Integration: Opera, Race Relations, and Black Commodification at The Radio Corporation of America

Matthew Timmermans
pp. 1-39
open access

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Volume 40, 2024