In this Issue

Table of Contents

Experiments in Opera Today: Opera and Multidisciplinary Art after 2000 – A Note from the Guest Editors

David Gutkin, Heather Wiebe
pp. 159-165
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Abandoned or Embalmed?: A Semi-Staged Conversation Between Nina Sun Eidsheim and Juliana Snapper

Juliana Snapper, Nina Sun Eidsheim
pp. 168-179
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What Opera Can Be: Joan La Barbara and Gelsey Bell in Conversation

Gelsey Bell, Joan La Barbara
pp. 180-197
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Jennifer Walshe on Opera, Music Theater, and Collaboration: Interview by Elaine Fitz Gibbon

Elaine Fitz Gibbon, Jennifer Walshe
pp. 198-205
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“Whether it has a certain musical form, maybe no one cares, except for some people”: George E. Lewis, Sean Griffin, and Catherine Sullivan talk with Alexander K. Rothe about Afterword, an opera

George E. Lewis, Catherine Sullivan, Sean Griffin, Alexander K. Rothe
pp. 206-226
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The CHEAP Collective’s Magic Flute: An Opera in Six Steps

Roger Mathew Grant
pp. 227-235
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low intensity conflicts—a mini-opera for non-musicians

Franck Leibovici
pp. 236-248
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Breathe in the World (the problems with you, me, we, they, hear and see)

Jeanine Oleson
pp. 249-257
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