In this Issue

Table of Contents

Graphanalysis, Technological Reproduction, and the Acoustical Unconscious: Reflections on an Error in Beckett’s Krapp’s Last Tape

Emilio Sala
pp. 1-14
open access

Dramaturgies of the Ear: Experiments in Opera’s Expanded Field. A Note from the Guest Editor

Alessandra Campana
pp. 1-5
restricted access

Articulations

Innere Stimme:: Recordings and the Imaginal Engagements of the Ear

Andy Graydon
pp. 1-3
restricted access

Original Articles

In Ear-Shot: Lin-Manuel Miranda’s Hamilton: An American Musical

Suzanne Stewart-Steinberg
pp. 1-15
restricted access

Franz Lehár’s Das Land des Lächelns and Totalitarian Listenership

Gabriela Cruz
pp. 1-35
restricted access

Opera on the Way: Jonathan Harvey’s Wagner Dream

Sander Van Maas
pp. 1-19
open access

Notes from the Stage

Dossier: Romeo Castellucci:

Mauro Calcagno
pp. 1-14
restricted access

Dossier: Romeo Castellucci:

Piersandra Di Matteo
pp. 1-10
restricted access

Reviews

Time’s Echo: The Second World War, the Holocaust, and the Music of Remembrance by Jeremy Eichler (review)

David Yearsley
pp. 1-11
restricted access

From the Theater of War to the Theater Stage: The Militarization of the State Theatre Pretoria (1981)

Melissa Gerber
pp. 1-23
open access

Complaint and the Aesthetics of Inexpression

Dan Wang
pp. 1-18
restricted access