In this Issue
Issue
CURRENT PERSPECTIVES ON CUBA AND PUERTO RICO
Marysol Quevedo
American Music publishes articles on American composers, performers, publishers, institutions, events, and the music industry, as well as book and recording reviews, bibliographies, and discographies. Article topics have included the lyricism of Charles Ives, Henry Cowell's "sliding tones," Bernstein's Trouble in Tahiti, Henry Brant's "Spatial Music," the reception and transformation of pop icons such as Presley and Sinatra, and the history and analysis of blues, jazz, folk music, and mixed and emerging musical styles.
published by
University of Illinois Pressviewing issue
Volume 42, Number 2, Summer 2024Table of Contents
pp. 141-146
pp. 147-176
pp. 177-196
-
View Styling Blackness as Artesano: The Intersection of Music-Dance, Race, and Class in the Club Mayagüezano
-
Download
Styling Blackness as Artesano: The Intersection of Music-Dance, Race, and Class in the Club Mayagüezano
- Save Styling Blackness as Artesano: The Intersection of Music-Dance, Race, and Class in the Club Mayagüezano
pp. 223-243
pp. 244-270
-
View Lo antiguo está de moda (What’s Old Is New Again): Current Trends in Contemporary Cuban Dance Music
-
Download
Lo antiguo está de moda (What’s Old Is New Again): Current Trends in Contemporary Cuban Dance Music
- Save Lo antiguo está de moda (What’s Old Is New Again): Current Trends in Contemporary Cuban Dance Music
pp. 271-294
-
View ”I Have What I Had to Have”: Signifying the Afro-Cuban Experience in Three Musical Settings of Nicolás Guillén’s “Tengo”
-
Download
”I Have What I Had to Have”: Signifying the Afro-Cuban Experience in Three Musical Settings of Nicolás Guillén’s “Tengo”
- Save ”I Have What I Had to Have”: Signifying the Afro-Cuban Experience in Three Musical Settings of Nicolás Guillén’s “Tengo”
Previous Issue
| ISSN | 1945-2349 |
|---|---|
| Print ISSN | 0734-4392 |
| Launched on MUSE | 2025-10-22 |
| Open Access | No |
