In this Issue

Table of Contents

Image

pp. iii-vi
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Richard Foreman 1937–2025: Himself, Unique

Richard Schechner
pp. 5-7
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Performance, Possession, and Automation: Introduction

Dhanveer Singh Brar, Nicholas Ridout, Rebecca Schneider
pp. 8-15
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The Body Unbound: Kumina and Ancestral Return

Deborah A. Thomas
pp. 16-35
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Joe Arroyo's "Musical Mechanism": Solidarity and Redemption in an Afro-Caribbean Carnival Song

Luis Rincón Alba
pp. 36-52
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Preparing in Dispossession: Praise for the Recreation of All

Ronald Rose-Antoinette
pp. 53-66
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Moving in Horror: In Dialog with Seke Chimutengwende, Adrienne Ming, and Isaac Ouro-Gnao

Arabella Stanger
pp. 67-88
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Nathaniel Mackey and M. Lamar: Re-memberment in the "Republic of Nub"

Maurya Wickstrom
pp. 89-101
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Vanishing Acts: The Raw Materialism of Otobong Nkanga and Seba Calfuqueo

Michael Shane Boyle
pp. 102-121
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Manomation: Kuwasi Balagoon and James Boggs's Notes on Automation and the Habit of Freedom

Vincent Pisters Møystad
pp. 122-138
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Peculiarly Immaterial: Digital Labor in the ASMR Roleplay Video

Emma Bennett
pp. 139-159
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"It caught me": Dance, Possession, and Revolt

Konstantina Georgelou
pp. 160-170
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