In this Issue

Table of Contents

Acting and the Remains of the Dead: Remembering Polus on Early Modern Stages

Tanya Pollard
pp. 1-19
DOI: https://doi.org/10.1353/cdr.2025.a969918
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Kabukuing Shakespeare: Gender Crossings in Takarazuka’s Shakespeare Adaptations

Tove Solander
pp. 20-42
DOI: https://doi.org/10.1353/cdr.2025.a969919
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Doing and Undoing: Speaking for Palestinians on the Royal Court Stage

Alon Ben-Porat
pp. 43-65
DOI: https://doi.org/10.1353/cdr.2025.a969920
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Redface: Race, Performance, and Indigeneity by Bethany Hughes (review)

Liza Black
pp. 66-68
DOI: https://doi.org/10.1353/cdr.2025.a969921
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Staging Change: Toward a Theatrical Theory of Activist Performance by Victoria L. Scrimer (review)

L.M. Bogad
pp. 69-72
DOI: https://doi.org/10.1353/cdr.2025.a969922
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Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China by Tarryn Li-Min Chun (review)

Xing Fan
pp. 73-76
DOI: https://doi.org/10.1353/cdr.2025.a969923
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Shakespeare’s Tragic Art by Rhodri Lewis (review)

Blair Hoxby
pp. 77-79
DOI: https://doi.org/10.1353/cdr.2025.a969924
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Making Pagans: Theatrical Practice and Comparative Religion in Early Modern England by John Kuhn (review)

Daniel Knapper
pp. 80-84
DOI: https://doi.org/10.1353/cdr.2025.a969925
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Lynn Riggs: The Indigenous Plays by Lynn Riggs (review)

Jen Shook
pp. 85-88
DOI: https://doi.org/10.1353/cdr.2025.a969926
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The Final Curtain: The Art of Dying on Stage by Laurence Senelick (review)

Maggie Vinter
pp. 89-92
DOI: https://doi.org/10.1353/cdr.2025.a969927
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Contributors

pp. 93-95
DOI: https://doi.org/10.1353/cdr.2025.a969928
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