In this Issue

Table of Contents

Introduction: Austria and Film in the Twenty-First Century

Katya Krylova, Dora Osborne
pp. 1-19
DOI: https://doi.org/10.1353/aus.00033
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'Feel-Bad Cinema' Meets 'Bad Feminists': Gender, Nation, and Affect in the Films of Jessica Hausner

Maria San Filippo
pp. 20-43
DOI: https://doi.org/10.1353/aus.00034
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Sites of Memory and Youth on Screen: Sebastian Brameshuber's Und in der Mitte, da sind wir (2014)

Alexandra Lloyd
pp. 44-61
DOI: https://doi.org/10.1353/aus.00035
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Between Self-Discovery and Self-Destruction: The Neo-Heimat Films Hochwald (2020), Märzengrund (2022) and Ein ganzes Leben (2023)

Jakub Gortat
pp. 62-80
DOI: https://doi.org/10.1353/aus.00036
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Under the Surface: Hunting, Collecting and Taxidermy in Ulrich Seidl's Safari (2016) and Joerg Burger's Archiv der Zukunft (2023)

Dora Osborne
pp. 81-102
DOI: https://doi.org/10.1353/aus.00037
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Representing Austria's Wartime History for a Global Audience: Terrence Malick's A Hidden Life (2019)

Katya Krylova
pp. 103-119
DOI: https://doi.org/10.1353/aus.00038
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Expressionism Revisited: Stefan Ruzowitzky's Hinterland (2021)

Malcolm Spencer
pp. 120-136
DOI: https://doi.org/10.1353/aus.00039
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Sisi Unchained: Female Auteurs and the Sisi Fetish

Heidi Schlipphacke
pp. 137-155
DOI: https://doi.org/10.1353/aus.00040
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Disillusionment and Community: The Queer Feminist Aesthetics of Barbara Albert's Fallen (2006)

Imke Meyer
pp. 156-177
DOI: https://doi.org/10.1353/aus.00041
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Performing Sex Work in Contemporary Viennese Documentary: Choric, Confessional, and Citational Dynamics in Brüder der Nacht (2016) and MUTZENBACHER (2022)

Lawrence Alexander
pp. 178-202
DOI: https://doi.org/10.1353/aus.00042
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'Wir tanzten und tanzten zu jeder Zeit': Der Tanz in Vicki Baums Werken 1920–1950 by Rocio Lilliana Günther (review)

Andrea Capovilla
pp. 203-204
DOI: https://doi.org/10.1353/aus.00043
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Bernhard Lang by Christine Dysers (review)

Matthias Wurz
pp. 205-206
DOI: https://doi.org/10.1353/aus.00044
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Anton Bruckner: Ein Leben mit Musik by Felix Diergarten, and: Bruckner: Der Anarch in der Musik by Rüdiger Görner (review)

Andrew Barker
pp. 207-210
DOI: https://doi.org/10.1353/aus.00045
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Bruckner's Fourth: The Biography of a Symphony by Benjamin M. Korstvedt (review)

Andrew Barker
pp. 211-212
DOI: https://doi.org/10.1353/aus.00046
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In the Future of Yesterday: A Life of Stefan Zweig by Rüdiger Görner (review)

Leo A. Lensing
pp. 213-214
DOI: https://doi.org/10.1353/aus.00047
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Visual Culture in Freud's Vienna: Science, Eros, and the Psychoanalytic Imagination by Mary Bergstein (review)

Martin Liebscher
pp. 215-216
DOI: https://doi.org/10.1353/aus.00048
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The Habsburg Garrison Complex in Trebinje: A Lost World by Cathie Carmichael (review)

Matthew Stibbe
pp. 217-219
DOI: https://doi.org/10.1353/aus.00049
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Karl-Marx-Hof: Schlüsselbau der Moderne ed. by Cara Tovey and Julian Klinner (review)

Anna Stuhlpfarrer
pp. 220-221
DOI: https://doi.org/10.1353/aus.00050
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Austrian Identity and Modernity: Culture and Politics in the 20th Century ed. by Elana Shapira (review)

Ritchie Robertson
pp. 222-224
DOI: https://doi.org/10.1353/aus.00051
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Vanishing Vienna: Modernism, Philosemitism, and Jews in a Postwar City by Frances Tanzer (review)

Ritchie Robertson
pp. 225-226
DOI: https://doi.org/10.1353/aus.00052
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Maria Theresa: Empress: The Making of the Austrian Enlightenment by Richard Bassett (review)

Joachim Whaley
pp. 227-229
DOI: https://doi.org/10.1353/aus.00053
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Volume 32, 2024