In this Issue

Table of Contents

Outstanding Article Awards for 2024

pp. iii-iv
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Articles

"They Do Need You, Don't They?": Disability, Gender, and Care Work in World War I Conscription Dramas

Layne Parish Craig
pp. 139-160
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Why Natasha Can't Sing: Rethinking Cross-Genre Adaptation with Natasha, Pierre & the Great Comet of 1812

Emma Adler
pp. 161-179
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Specialization on Stage: The Formation and Deformation of Knowledge in Hedda Gabler and A Dream Play

Andreas Tranvik
pp. 180-204
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All the Vulnerable Boys: Child-Saving Conjured in Henrik Ibsen's Little Eyolf and Hiro Kanagawa's Indian Arm

Olivia Noble Gunn
pp. 205-229
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Cold War Diva: Medea, 1947

Fiona Gregory
pp. 230-252
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Reviews

Revolutionary Stagecraft: Theater, Technology, and Politics in Modern China by Tarryn Li-Min Chun (review)

Christin Essin
pp. 253-255
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The Theater of Electricity: Technology and Spectacle in the Late 19th Century by Ulf Otto (review)

David Bisaha
pp. 255-258
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Pragma ic Libera ion and he Poli ics of Puer o Rican Diasporic Drama by Jon D. Rossini (review)

Brian Eugenio Herrera
pp. 258-260
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Incarceration Games: A History of Role-Play in Psychology, Prisons, and Performance by Stephen J. Scott-Bottoms (review)

Aylwyn M. Walsh
pp. 260-262
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Rapa Nui Theatre: Staging Indigenous Identities in Easter Island by Moira S. Fortin Cornejo (review)

Diana Looser
pp. 262-265
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F*ck the Army! How Soldiers and Civilians Staged the GI Movement to End the Vietnam War by Lindsay Goss (review)

Jason Fitzgerald
pp. 265-268
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Collected Plays & Other Writings by Adrienne Kennedy (review)

Johanna Frank
pp. 268-271
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Staging Blackness: Representations of Race in German-Speaking Drama and Theater ed. by Priscilla Dionne Layne and Lily Tonger-Erk (review)

Matt Cornish
pp. 271-274
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