In this Issue

Table of Contents

Editor’s Introduction: Human-Nonhuman Transgressions and the Global Uncanny

Ramón E. Soto-Crespo
p. 1
DOI: https://doi.org/10.2979/jml.00080
restricted access

Subaltern Mosquitoes and Cyborg Histories in Namwali Serpell’s The Old Drift

Romy Rajan
pp. 2-19
DOI: https://doi.org/10.2979/jml.00081
free access

Kinship as a Counter to the Settler Gaze in Stephen Graham Jones’s The Only Good Indians

Tracy A. Stephens
pp. 20-38
DOI: https://doi.org/10.2979/jml.00082
restricted access

Revisiting Juan José Saer’s El entenado / The Witness—Forty Years Later

Emad Mirmotahari
pp. 39-57
DOI: https://doi.org/10.2979/jml.00083
restricted access

Fluid Dynamics of Queer Desire: Ellen van Neerven’s “Water” and Lía Chara’s Agua

Isabelle Wentworth
pp. 58-76
DOI: https://doi.org/10.2979/jml.00084
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Inverting the Coordinates: Place, Dystopia and Utopia in Mohsin Hamid’s Exit West

Trevor Westmoreland
pp. 77-93
DOI: https://doi.org/10.2979/jml.00085
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Neo-Surrealism in Hong Kong: The Fiction of Hon Lai-chu and Dorothy Tse

Xiaofan Amy Li
pp. 94-112
DOI: https://doi.org/10.2979/jml.00086
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Alice in Monsterland: Neocolonial Investigation in J.G. Ballard’s Super-Cannes

Stanka Radović
pp. 113-130
DOI: https://doi.org/10.2979/jml.00087
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Grotesque Spaces and Transformative Nature in Patrick McGrath’s The Grotesque

Mara Reisman
pp. 131-148
DOI: https://doi.org/10.2979/jml.00088
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Memory, Uncanny, and Spectrality in Joseph Skibell’s A Blessing on the Moon

Tiasa Bal, Gurumurthy Neelakantan
pp. 149-161
DOI: https://doi.org/10.2979/jml.00089
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“[D]elete the face it’s preferable”: Prosopagnosia as an Artistic Practice in Samuel Beckett’s Work

Umar Shehzad
pp. 162-179
DOI: https://doi.org/10.2979/jml.00090
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Puppet and Paralipsis: The Performance of Maria and the Narrator in Joyce’s “Clay”

Xiaoshan Hou, Fuying Shen
pp. 180-195
DOI: https://doi.org/10.2979/jml.00091
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Abstraction for All

Derek Ryan
pp. 196-199
DOI: https://doi.org/10.2979/jml.00092
restricted access