In this Issue

Table of Contents

Mapping Trumpet Pedagogy: Addressing Challenges in Knowledge Circulation Through an Online Bibliographic Database

Aaron Hodgson
pp. 641-655
DOI: https://doi.org/10.1353/not.2025.a960792
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Categorizing Concealment: A Framework from Music Archives

Elizabeth A. Pineo
pp. 656-679
DOI: https://doi.org/10.1353/not.2025.a960793
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Voice, Slavery, and Race in Seventeenth-Century Florence by Emily Wilbourne (review)

Naomi J. Barker
pp. 680-682
DOI: https://doi.org/10.1353/not.2025.a960794
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The Cambridge Companion to The Magic Flute ed. by Jessica Waldoff (review)

Lily Kass
pp. 683-685
DOI: https://doi.org/10.1353/not.2025.a960795
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Opera in the Viennese Home from Mozart to Rossini by Nancy November (review)

Rachel N. Becker
pp. 685-688
DOI: https://doi.org/10.1353/not.2025.a960796
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Queer Opera by Andrew Sutherland (review)

Arlo (AJ) Banta
pp. 688-690
DOI: https://doi.org/10.1353/not.2025.a960797
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Leonard Bernstein in Context ed. by Elizabeth A. Wells (review)

Geoffrey Block
pp. 690-696
DOI: https://doi.org/10.1353/not.2025.a960798
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The Afterlife of Bach's Organ Works: Their Reception from the Nineteenth Century to the Present by Russell Stinson (review)

Karrin Ford
pp. 696-698
DOI: https://doi.org/10.1353/not.2025.a960799
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Bands in American Musical History: Inflection Points and Reappraisals ed. by Bryan Proksch and George Foreman (review)

Raoul F. Camus
pp. 698-702
DOI: https://doi.org/10.1353/not.2025.a960800
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Flamenco Music: History, Forms, Culture by Peter Manuel (review)

Tony Dumas
pp. 702-705
DOI: https://doi.org/10.1353/not.2025.a960801
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Called Upstairs: Moravian Inuit Music in Labrador by Tom Gordon (review)

Timothy Murray
pp. 705-708
DOI: https://doi.org/10.1353/not.2025.a960802
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DIY House Shows and Music Venues in the US: Ethnographic Explorations of Place and Community by David Verbuč (review)

Nancy P. Riley
pp. 708-710
DOI: https://doi.org/10.1353/not.2025.a960803
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Making Value: Music, Capital, and the Social by Timothy D. Taylor (review)

Maria Souliotis
pp. 710-713
DOI: https://doi.org/10.1353/not.2025.a960804
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Spectacular Listening: Music and Disability in the Digital Age by Byrd McDaniel (review)

YuHao Chen
pp. 713-716
DOI: https://doi.org/10.1353/not.2025.a960805
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Music and Mind: Harnessing the Arts for Health and Wellness ed. by Renée Fleming (review)

Harry N. Dunstan, Kay Krekow
pp. 716-718
DOI: https://doi.org/10.1353/not.2025.a960806
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Tracks on the Trail: Popular Music, Race, and the US Presidency by Dana Gorzelany-Mostak (review)

Nicholas A. Brown-Cáceres
pp. 718-721
DOI: https://doi.org/10.1353/not.2025.a960807
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Blacksound: Making Race and Popular Music in the United States by Matthew D. Morrison (review)

Chris Durman
pp. 721-723
DOI: https://doi.org/10.1353/not.2025.a960808
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3 Shades of Blue: Miles Davis, John Coltrane, Bill Evans, and the Lost Empire of Cool by James Kaplan (review)

Aaron J. West
pp. 724-726
DOI: https://doi.org/10.1353/not.2025.a960809
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Jazz and American Culture ed. by Michael Borshuk (review)

John Clark
pp. 726-728
DOI: https://doi.org/10.1353/not.2025.a960810
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At the Vanguard of Vinyl: A Cultural History of the Long-Playing Record in Jazz by Darren Mueller (review)

Matthew Snyder
pp. 728-731
DOI: https://doi.org/10.1353/not.2025.a960811
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Rhythm Changes: Jazz, Culture, Discourse by Alan Stanbridge (review)

Edward Komara
pp. 731-734
DOI: https://doi.org/10.1353/not.2025.a960812
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The Musician as Philosopher: New York's Vernacular Avant-Garde, 1958–1978 by Michael Gallope (review)

Alex Burtzos
pp. 734-738
DOI: https://doi.org/10.1353/not.2025.a960813
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Avant-Garde on Record: Musical Responses to Stereos by Jonathan Goldman (review)

David H. Miller
pp. 738-740
DOI: https://doi.org/10.1353/not.2025.a960814
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Music in Edwardian London by Simon McVeigh (review)

Trevor R. Nelson
pp. 740-743
DOI: https://doi.org/10.1353/not.2025.a960815
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Beethoven's Ninth Symphony: Rehearsing and Performing Its 1824 Premiere by Theodore Albrecht (review)

Robin Wallace
pp. 743-745
DOI: https://doi.org/10.1353/not.2025.a960816
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The Musical Relationship between Claude Debussy and Igor Stravinsky by Mark McFarland (review)

Peter Shirts
pp. 746-748
DOI: https://doi.org/10.1353/not.2025.a960817
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Monteverdi and the Marvellous: Poetry, Sound, and Representation by Roseen Giles (review)

Jonathan C. Ligrani
pp. 748-750
DOI: https://doi.org/10.1353/not.2025.a960818
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Saint Cecilia in the Renaissance: The Emergence of a Musical Icon by John A. Rice (review)

Bradford Lee Eden
pp. 750-752
DOI: https://doi.org/10.1353/not.2025.a960819
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Schütz-Werke-Verzeichnis (SWV). Große Ausgabe ed. by Werner Breig (review)

Jennifer A. Ward
pp. 752-755
DOI: https://doi.org/10.1353/not.2025.a960820
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Aux origines des collections musicales de la Bibliothèque nationale de France (1680–1815) ed. by Laurence Decobert and Denis Herlin (review)

John Wagstaff
pp. 755-757
DOI: https://doi.org/10.1353/not.2025.a960821
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Many Pathways for Discovery: Describing Music Resources Using Faceted Vocabularies by Casey A. Mullin (review)

Ivan Kaproth-Joslin
pp. 757-760
DOI: https://doi.org/10.1353/not.2025.a960822
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Books Recently Published

James Procell, Matthew Ertz
pp. 761-766
DOI: https://doi.org/10.1353/not.2025.a960823
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Early Published Blues and Proto-Blues (1850–1915) ed. by Peter C. Muir (review)

Elijah Wald
pp. 767-771
DOI: https://doi.org/10.1353/not.2025.a960824
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Quarterly Scores List

Kathleen A. Abromeit
pp. 772-777
DOI: https://doi.org/10.1353/not.2025.a960825
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Communications

Judith Tick
pp. 778-780
DOI: https://doi.org/10.1353/not.2025.a960826
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