In this Issue

Table of Contents

Sor Juana, Unbound, in the Heights: On Collectors and Community, Past, Present, and Future

Julia C. Hernández
pp. 5-19
DOI: https://doi.org/10.1353/boc.2024.a957435
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Articles

"Pues este lenguaje mudo / de mi pensamiento entiendes": Pensar y hablar como recurso dramático de metateatralidad en Lo fingido verdadero

Paola Encarnación-Sandoval
pp. 23-46
DOI: https://doi.org/10.1353/boc.2024.a957436
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Courtly and Picaresque Actors: Self-Fashioning in El viaje entretenido by Agustín de Rojas

John Giblin
pp. 47-95
DOI: https://doi.org/10.1353/boc.2024.a957437
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Deciphering the Signs of Antichrist: Crypto-Religion in Ruiz de Alarcón's El Anticristo

Ben Post
pp. 97-127
DOI: https://doi.org/10.1353/boc.2024.a957438
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Walter Benjamin interpreta a Calderón: Inmanencia y transcendencia en El príncipe constante (1629)

Jacobo de Camps
pp. 129-145
DOI: https://doi.org/10.1353/boc.2024.a957439
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The Controversy de auxiliis in Ângela de Azevedo's Dicha y desdicha del juego y devoción de la Virgen

Persephone Hernandez-Vogt
pp. 147-169
DOI: https://doi.org/10.1353/boc.2024.a957440
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Reviews

"Con esta carga nacemos las mujeres". Discursos sobre el cuerpo femenino en la España de Cervantes by Mercedes Alcalá Galán (review)

María Mizzi
pp. 171-173
DOI: https://doi.org/10.1353/boc.2024.a957441
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La exaltación de la cruz by Pedro Calderón de la Barca (review)

Roy Norton
pp. 175-177
DOI: https://doi.org/10.1353/boc.2024.a957442
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Immaculate Sounds: The Musical Lives of Nuns in New Spain by Cesar D. Favila (review)

Sarah Finley
pp. 179-182
DOI: https://doi.org/10.1353/boc.2024.a957443
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Sirena de los tablados: Teresa de Robles. Recorrido vital y profesional de una "hija de la comedia" by María Asunción Flórez Asensio (review)

Elizabeth Cruz Petersen
pp. 183-185
DOI: https://doi.org/10.1353/boc.2024.a957444
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Praying to Portraits. Audience, Identity, and the Inquisition in the Early Modern Hispanic World by Adam Jasienski (review)

Héctor Ruiz Soto
pp. 187-190
DOI: https://doi.org/10.1353/boc.2024.a957445
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"Afréntate de que yo / te enseño el vivir". El gracioso y su papel de consejero en el teatro de Lope de Vega by Magdaléna Kolmanová (review)

Javier Lorenzo
pp. 191-193
DOI: https://doi.org/10.1353/boc.2024.a957446
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The War Trumpet. Iberian Epic Poetry (1543–1639) ed. by Emiro Martínez-Osorio y Mercedes Blanco (review)

Lara Vilà
pp. 195-199
DOI: https://doi.org/10.1353/boc.2024.a957447
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Moderation and the Mean in the Literature of Spain's Golden Age: A Measure for Measure by Richard Rabone (review)

Raquel Barragán Aroche
pp. 201-203
DOI: https://doi.org/10.1353/boc.2024.a957448
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God Made Word: An Archaeology of Mystic Discourse in Early Modern Spain by Dale Shuger (review)

Elena Carrera
pp. 205-208
DOI: https://doi.org/10.1353/boc.2024.a957449
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Promiscuous Grace: Imagining Beauty and Holiness with Saint Mary of Egypt by Sonia Velázquez (review)

Cloe Cavero de Carondelet
pp. 209-211
DOI: https://doi.org/10.1353/boc.2024.a957450
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Spanish Fashion in the Age of Velázquez: A Tailor at the Court of Philip IV by Amanda Wunder (review)

Ruth MacKay
pp. 213-216
DOI: https://doi.org/10.1353/boc.2024.a957451
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