In this Issue
Eugene O’Neill’s entire life revolved around the stage, and his productivity as a dramatist—some twenty long plays in less than twenty-five years (1920–1943)—remains a remarkable achievement. O’Neill’s plays are known for their intensely personal qualities, their dark realism, and their tragic honesty. O’Neill is the only American playwright ever to receive a Nobel Prize in Literature and is recognized as having helped to establish America as a center of theatrical output and creativity.
published by
Penn State University Pressviewing issue
Volume 46, Number 1, 2025Table of Contents
pp. 65-73
pp. 74-79
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View Finding the Way to 'Long Day's Journey Into Night': Eugene O'Neill and Carlotta Monterey O'Neill at Tao House by William Davies King (review)
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Finding the Way to 'Long Day's Journey Into Night': Eugene O'Neill and Carlotta Monterey O'Neill at Tao House by William Davies King (review)
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pp. 80-83
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View Transfiguring Tragedy: Schopenhauer, Stirner, and Nietzsche in Eugene O'Neill's Early Plays by Ryder Thornton (review)
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Transfiguring Tragedy: Schopenhauer, Stirner, and Nietzsche in Eugene O'Neill's Early Plays by Ryder Thornton (review)
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pp. 88-91
Previous Issue
| ISSN | 2161-4318 |
|---|---|
| Print ISSN | 1040-9483 |
| Launched on MUSE | 2025-03-20 |
| Open Access | No |
