In this Issue

Table of Contents

Music Faculty after Pandemic Closures: A Mixed Methods Study of Evolving Resource Preferences and Libraries

Joe C. Clark, Jessica M. Abbazio, Jonathan Sauceda
pp. 455-488
DOI: https://doi.org/10.1353/not.2024.a952010
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Topics on Music Pricing: Examining the High Cost of Library Ebooks

Elizabeth Berndt
pp. 489-497
DOI: https://doi.org/10.1353/not.2024.a952011
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Giuseppe Tartini and the Musical Culture of the Enlightenment, and: Giuseppe Tartini: Fundamental Questions by Gabriele Taschetti, and: In Search of Perfect Harmony: Tartini's Music and Music Theory in Local and European Contexts ed. by Nejc Sukljan, and: The Sound of Tartini: Instruments and Performing Practices in His Time ed. by Margherita Canale Degrassi and Paolo Da Col (review)

Lynette Bowring
pp. 498-501
DOI: https://doi.org/10.1353/not.2024.a952012
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Mozart the Performer: Variations on the Showman's Art by Dorian Bandy (review)

Laurel E. Zeiss
pp. 501-504
DOI: https://doi.org/10.1353/not.2024.a952013
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The Creation of Beethoven's Nine Symphonies by Barry Cooper (review)

Geoffrey Block
pp. 504-510
DOI: https://doi.org/10.1353/not.2024.a952014
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The World Got Away: A Memoir by Mikel Rouse (review)

George Boziwick
pp. 510-513
DOI: https://doi.org/10.1353/not.2024.a952015
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Weill, Blitzstein, and Bernstein: A Study of Influence by Rebecca Schmid (review)

Matthew Mugmon
pp. 513-515
DOI: https://doi.org/10.1353/not.2024.a952016
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Lou Reed: The King of New York by Will Hermes (review)

Marci Cohen
pp. 515-518
DOI: https://doi.org/10.1353/not.2024.a952017
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Bridge and Tunnel Boys: Bruce Springsteen, Billy Joel, and the Metropolitan Sound of the American Century by Jim Cullen (review)

Don Traut
pp. 518-521
DOI: https://doi.org/10.1353/not.2024.a952018
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George Gershwin and Modern Art: A Rhapsody in Blue by Olivia Mattis (review)

Annett Richter
pp. 521-524
DOI: https://doi.org/10.1353/not.2024.a952019
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How Hip Hop Became Hit Pop: Radio, Rap, and Race by Amy Coddington (review)

John Paul Meyers
pp. 524-527
DOI: https://doi.org/10.1353/not.2024.a952020
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Rise Up! Indigenous Music in North America by Craig Harris (review)

Duncan McCallum
pp. 527-529
DOI: https://doi.org/10.1353/not.2024.a952021
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Sounding Latin Music, Hearing the Americas by Jairo Moreno (review)

Jorge Torres
pp. 529-532
DOI: https://doi.org/10.1353/not.2024.a952022
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Music of Exile: The Untold Story of the Composers Who Fled Hitler by Michael Haas (review)

Lesley Hughes
pp. 532-535
DOI: https://doi.org/10.1353/not.2024.a952023
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Suppressed Composers in the Netherlands: Forbidden Music in the Second World War ed. by Carine Alders and Eleonore Pameijer (review)

Tina Frühauf
pp. 535-538
DOI: https://doi.org/10.1353/not.2024.a952024
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Fanfare for a City: Music and the Urban Imagination in Haussmann's Paris by Jacek Blaszkiewicz (review)

Samuel T. Nemeth
pp. 538-541
DOI: https://doi.org/10.1353/not.2024.a952025
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Voices of French Organists' Experience: Words of Great French Organists of the 19th and 20th Centuries by John R. Near and Rollin Smith (review)

David Crean
pp. 541-544
DOI: https://doi.org/10.1353/not.2024.a952026
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Pierre Boulez: The Formative Years by Joseph Salem (review)

Jessica Payette
pp. 544-546
DOI: https://doi.org/10.1353/not.2024.a952027
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Nadia Boulanger: War Years in America and Her Last Decades by James Whipple Miller (review)

Melissa Cummins
pp. 546-549
DOI: https://doi.org/10.1353/not.2024.a952028
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My Name is Barbra by Barbra Streisand (review)

Stephanie Bonjack
pp. 549-551
DOI: https://doi.org/10.1353/not.2024.a952029
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The Callas Imprint: A Centennial Biography by Sophia Lambton (review)

Harry N. Dunstan
pp. 551-554
DOI: https://doi.org/10.1353/not.2024.a952030
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To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse by Howard Fishman (review)

Hannah Porter Denecke
pp. 554-556
DOI: https://doi.org/10.1353/not.2024.a952031
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Lieder in America: On Stages and in Parlors by Heather Platt (review)

Bethany McLemore Stewart
pp. 556-559
DOI: https://doi.org/10.1353/not.2024.a952032
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Britten's Donne, Hardy and Blake Songs: Cyclic Design and Meaning by Gordon Cameron Sly (review)

Thornton Miller
pp. 559-561
DOI: https://doi.org/10.1353/not.2024.a952033
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Polyphonic Voices: Poetic and Musical Dialogues in the European Ars Nova ed. by Anna Alberni, Antonio Calvia, and Maria Sofia Lannutti (review)

Michael Eisenberg
pp. 561-564
DOI: https://doi.org/10.1353/not.2024.a952034
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George Harrison: The Reluctant Beatle by Philip Norman (review)

Jay Keister
pp. 564-566
DOI: https://doi.org/10.1353/not.2024.a952035
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Sex and Gender in Pop/Rock Music: The Blues through the Beatles to Beyoncé by Walter Everett (review)

Kevin Schwandt
pp. 567-569
DOI: https://doi.org/10.1353/not.2024.a952036
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Streaming Music, Streaming Capital by Eric Drott (review)

Robert Willey
pp. 569-570
DOI: https://doi.org/10.1353/not.2024.a952037
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Four Ways of Hearing Video Game Music by Michiel Kamp (review)

Ethan D'Ver
pp. 570-572
DOI: https://doi.org/10.1353/not.2024.a952038
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Sound Pedagogy: Radical Care in Music ed. by Colleen Renihan, John Spilker, and Trudi Wright (review)

Elizabeth Kramer
pp. 572-575
DOI: https://doi.org/10.1353/not.2024.a952039
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Books Recently Published

James Procell, Matthew Ertz
pp. 576-583
DOI: https://doi.org/10.1353/not.2024.a952040
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New Periodicals

Jessica M. Abbazio
pp. 584-594
DOI: https://doi.org/10.1353/not.2024.a952041
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Das Lied von der Erde: für Tenor- und Alt- (oder Bariton) Stimme und Orchester by Gustav Mahler, and: Eine Alpensinfonie: für Orchester, op. 64, TrV233 by Richard Strauss (review)

James Zychowicz
pp. 595-598
DOI: https://doi.org/10.1353/not.2024.a952042
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Shakespeare's Sonnets as Songs: Conjectural Settings to Period Music by Ross W. Duffin (review)

Jennifer Linhart Wood
pp. 599-603
DOI: https://doi.org/10.1353/not.2024.a952043
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Suittes de Clavessin: mises en concert; Suittes de Clavessin: from Manuscript Sources by François Charles Dieupart (review)

Matthew J. Hall
pp. 603-608
DOI: https://doi.org/10.1353/not.2024.a952044
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Rusalka: Lyric Fairy Tale in Three Acts, op. 114 by Antonín Dvořák, and: Rusalka: Lyric Fairy Tale in Three Acts, op. 114 by Antonín Dvořák (review)

Jan Smaczny
pp. 609-613
DOI: https://doi.org/10.1353/not.2024.a952045
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Quarterly Scores List: Covid-19 Pandemic-Influenced Classical Scores

Kathleen A. Abromeit, Jonny Ollendorf
pp. 614-618
DOI: https://doi.org/10.1353/not.2024.a952046
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