In this Issue

Table of Contents

Guest Editors’ Foreword: Introduction

Caroline Frick, Laura Jean Treat Liebhaber
pp. vii-xii
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16mm Horror Stories

Afsheen Nomai
p. 1
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Ethnographic Film and the John Marshall Ju/’hoan Bushman Film and Video Collection

Karma Foley
pp. 2-10
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Snapshot A

p. 11
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Circus in Reel Time: Experiences with Filmic Technology’s FI-16 Sprocketless Scanner

Heidi Connor, Jennifer Lemmer Posey, Susan O'Shea
pp. 12-17
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Snapshots B, C

pp. 18-19
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16mm Film in the Archives of Six European Broadcast Archives: Holdings, Conditions, Preservation, and Significance

Brecht Declercq, Richard Wright
pp. 20-25
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Chips and Cookies

Anonymous
pp. 26-28
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Interview with Larry Weidman

Katharine Austin, Larry Weidman
pp. 29-38
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Snapshots D, E

pp. 39-40
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16mm, 35mm, 70mm, 3-D: “In the End, the Art and Language Is the Same”

Tanya Goldman, Thomas G. Smith
pp. 41-56
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Stripes Incident

Dino Everett
pp. 57-58
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For All Time or Simply a Lark? At Long Last Love and the Role of 16mm in the Hollywood Restoration

Nicholas Caluda
pp. 59-65
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Snapshots F, G, H

pp. 66-68
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Film for Film’s Sake: Reintegrating 16mm Film into the University of Tennessee’s Classrooms

Louisa Trott, Eleni Palis
pp. 69-75
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Kabuki

Gibbs Chapman
p. 76
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Why 16mm [Still] Matters

Elena Rossi-Snook
pp. 77-82
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Snapshots I, J

pp. 83-84
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Thirty-Six Thousand Reels Later: The History and Future of the A/V Geeks Educational Film Archive

Marsha Gordon
pp. 85-94
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Snapshot K

p. 95
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Funding Opportunities

p. 96
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Women’s Film Preservation Fund

Kirsten Larvick, Erika Yeomans
pp. 96-98
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Homage to Penny

Cristina Kühn
pp. 99-102
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