In this Issue

Table of Contents

Letter from the Editors

Mítia D'Acol, Joey Grunkemeyer, Mingfei Li, Alex Shannon, Sam Waddell, Lizhou Wang
p. v
DOI: https://doi.org/10.2979/itr.00008
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Perspectives in Alma Mahler-Werfel's "Ich wandle unter Blumen": An Analytical Essay

Owen Belcher
pp. 1-18
DOI: https://doi.org/10.2979/itr.00009
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Plotting Medieval Polyphony: An enchiriadis Tonnetz

Justin Lavacek
pp. 19-53
DOI: https://doi.org/10.2979/itr.00010
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Voice as Trauma Recovery: Vocal Timbre in Kesha's "Praying"

Emily Milius
pp. 54-81
DOI: https://doi.org/10.2979/itr.00011
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Pitch Orthography and Musical Hermeneutics in JIA Daqun's String Quartet No. 3, Mvt. 2 (2018)

Yi-Cheng Daniel Wu
pp. 82-132
DOI: https://doi.org/10.2979/itr.00012
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Formal Ruin and Formal Accumulation: Analysis of Two Songs from G.E.M.'s Revelation

Xieyi (Abby) Zhang
pp. 133-154
DOI: https://doi.org/10.2979/itr.00013
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Volume 39, Spring 2024