In this Issue

Table of Contents

Articles

Tank Man as Icon and “Crisis Actor” in Lucy Kirkwood’s Chimerica and Lauren Yee’s The Great Leap

Susanne Shawyer
pp. 261-279
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Life in the Huddle: Risk, Representation, and the Labour of Athletic Practice in Sarah DeLappe’s The Wolves

Jared Strange
pp. 280-301
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Grief Unspoken in Martyna Majok’s Cost of Living

Harrison Schmidt
pp. 302-319
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Translating and Imaging China: Anthologies of Modern Chinese Drama in English Translation

Cuiling Zhang
pp. 320-341
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The Haunting of the Antebellum South: Branden Jacobs-Jenkins’s Appropriate as a Gothic Memory Archive

Dohyun Shin
pp. 342-357
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Reviews

The Proof Stage: How Theater Reveals the Human Truth of Mathematics by Stephen Abbott (review)

Carina Bartleet
pp. 358-360
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Performing the Socialist State: Modern Chinese Theater and Film Culture by Xiaomei Chen (review)

Weijie Song
pp. 360-362
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Staged News: The Federal Theatre Project’s Living Newspapers in New York by Jordana Cox (review)

Jonathan Shandell
pp. 362-365
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Liberal Lives and Activist Repertoires: Political Performance and Victorian Social Reform by Tracy C. Davis (review)

Sos Eltis
pp. 365-367
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Analysing Gender in Performance ed. by J. Paul Halferty and Cathy Leeney (review)

Michelle MacArthur
pp. 367-370
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Racing the Great White Way: Black Performance, Eugene O’Neill, and the Transformation of Broadway by Katie N. Johnson (review)

Cheryl Black
pp. 370-373
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Circus and the Avant-Gardes: History, Imaginary, Innovation ed. by Anna-Sophie Jürgens and Mirjam Hildbrand (review)

Aastha Gandhi
pp. 373-376
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Falling, Floating, Flickering: Disability and Differential Movement in African Diasporic Performance by Hershini Bhana Young (review)

Katherine Zien
pp. 376-379
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