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In this Issue

Table of Contents

  1. Introduction
  2. Jing Shen, Catherine Swatek
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/cop.2024.a948458
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Research Articles

  1. Staging Wang Yangming's Sagehood in Ming China
  2. Huiqiao Yao
  3. pp. 100-142
  4. DOI: https://doi.org/10.1353/cop.2024.a948459
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  1. Performative Readings of Printed Southern Arias in Late-Ming China
  2. Yihui Sheng
  3. pp. 143-176
  4. DOI: https://doi.org/10.1353/cop.2024.a948460
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  1. Music, Words, and Moral Cultivation: A Ming–Qing Debate on Qin Songs versus Instrumental Solos
  2. Zeyuan Wu
  3. pp. 177-197
  4. DOI: https://doi.org/10.1353/cop.2024.a948461
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Book Reviews

  1. Towers in the Void: Li Yu and Early Modern Chinese Media by S. E. Kile (review)
  2. Lenore Szekely
  3. pp. 198-205
  4. DOI: https://doi.org/10.1353/cop.2024.a948462
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  1. The Cornucopian Stage: Performing Commerce in Early Modern China by Ariel Fox (review)
  2. Maria Franca Sibau
  3. pp. 206-210
  4. DOI: https://doi.org/10.1353/cop.2024.a948463
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Research Note

  1. Rulan Chao Pian's Strategy in Translating Some Musical Terms of Peking Opera
  2. Bell Yung
  3. pp. 211-216
  4. DOI: https://doi.org/10.1353/cop.2024.a948464
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Conference Report

  1. Event Review: 100 Years of China's All-Female Yue Opera
  2. Kaixuan Yao
  3. pp. 217-224
  4. DOI: https://doi.org/10.1353/cop.2024.a948465
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