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Table of Contents

  1. Introduction: Rephotography
  2. Shepherd Steiner
  3. pp. v-xxii
  4. DOI: https://doi.org/10.1353/mos.2022.a948446
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  1. Image
  2. DOI: https://doi.org/10.1353/mos.2022.a948445
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  1. Notes on Archive Works
  2. Roy Arden
  3. pp. 1-18
  4. DOI: https://doi.org/10.1353/mos.2022.a948447
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  1. When it All Suddenly Clicked: Deconstruction after Psychoanalysis after Photography
  2. Michael Naas
  3. pp. 19-36
  4. DOI: https://doi.org/10.1353/mos.2022.a948448
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  1. Shudder Speed: The Photograph as Ecstasy and Tragedy
  2. David Farrell Krell
  3. pp. 37-52
  4. DOI: https://doi.org/10.1353/mos.2022.a948449
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  1. The Surplus Value of Images
  2. W.J.T Mitchell
  3. pp. 53-73
  4. DOI: https://doi.org/10.1353/mos.2022.a948450
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  1. Ghost in the Machine: Photographs of Specters in the Nineteenth Century
  2. Paola Cortés-Rocca
  3. pp. 75-93
  4. DOI: https://doi.org/10.1353/mos.2022.a948451
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  1. Light Writing: Portraiture in a Post-Traumatic Age
  2. Mieke Bal
  3. pp. 95-113
  4. DOI: https://doi.org/10.1353/mos.2022.a948452
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  1. Showings Forth: Dubliners, Photography, and the Rejection of Realism
  2. Eloise Knowlton
  3. pp. 115-131
  4. DOI: https://doi.org/10.1353/mos.2022.a948453
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  1. "The Transparent Eyeball": On Emerson and Walker Evans
  2. Caroline Blinder
  3. pp. 133-147
  4. DOI: https://doi.org/10.1353/mos.2022.a948454
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  1. The Deepening of Apperception: On Walter Benjamin's Theory of Film
  2. Rodolphe Gasché
  3. pp. 149-161
  4. DOI: https://doi.org/10.1353/mos.2022.a948455
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  1. Flicker 1: Reflections on Photography and Literature in the Works of Hélène Cixous
  2. Michael Naas
  3. pp. 163-184
  4. DOI: https://doi.org/10.1353/mos.2022.a948456
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  1. Flicker 2: Reflections on Cinematography and Literature in the Works of Hélène Cixous
  2. Michael Naas
  3. pp. 185-207
  4. DOI: https://doi.org/10.1353/mos.2022.a948457
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