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In this Issue

Table of Contents

  1. Plot Genies and Plot Robots: Automating creative labor in Hollywood, 1910-1940
  2. Chris Rasmussen
  3. pp. 4-21
  4. DOI: https://doi.org/10.1353/flm.2024.a947122
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  1. 'What shall the history books read?': Inglourious Basterds and the Erasure of American Genocides
  2. Cailee Davis
  3. pp. 22-38
  4. DOI: https://doi.org/10.1353/flm.2024.a947123
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  1. The March of Time: News Documentaries and the Dramaturgy of History
  2. Gracia Ramírez
  3. pp. 39-58
  4. DOI: https://doi.org/10.1353/flm.2024.a947124
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  1. The Old Myth and the New Woman: Race and Gender Hierarchy in Gone with the Wind
  2. Emily K. McGuire
  3. pp. 59-70
  4. DOI: https://doi.org/10.1353/flm.2024.a947125
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  1. Many Men: The Longest Day and Classical Hollywood Stardom
  2. Kristian Jared Robinson
  3. pp. 71-83
  4. DOI: https://doi.org/10.1353/flm.2024.a947126
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  1. The Cavalry Trilogy: John Ford, John Wayne, and the Making of Three Classic Westerns by Michael F. Blake (review)
  2. Kevin Brianton, Rebecca Weeks, Arthur M. Eckstein
  3. pp. 84-87
  4. DOI: https://doi.org/10.1353/flm.2024.a947127
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  1. From the Moment They Met It was Murder: Double Indemnity and the Rise of Film Noir by Alain Silver and James Ursini (review)
  2. Arthur M. Eckstein
  3. pp. 88-90
  4. DOI: https://doi.org/10.1353/flm.2024.a947128
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  1. Eleanor Roosevelt on Screen: The First Lady's Appearances in Film and Television, 1932-1962 by Angela S. Beauchamp (review)
  2. Barbara Straumann
  3. pp. 91-93
  4. DOI: https://doi.org/10.1353/flm.2024.a947129
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  1. Redeeming Objects: A West German Mythology by Natalie Scholz (review)
  2. Brad Prager
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/flm.2024.a947130
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  1. One Tough Dame: The Life and Career of Diana Rigg by Herbie J. Pilato (review)
  2. Brian McFarlane
  3. pp. 97-99
  4. DOI: https://doi.org/10.1353/flm.2024.a947131
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  1. Round Our Way: Sam Hanna's Visual Legacy by Heather Norris Nicholson (review)
  2. Steven Foxon
  3. pp. 100-101
  4. DOI: https://doi.org/10.1353/flm.2024.a947132
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  1. Hollywood Enigma: Dana Andrews by Carl Rollyson (review)
  2. Geoff Mayer
  3. pp. 102-104
  4. DOI: https://doi.org/10.1353/flm.2024.a947133
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  1. George Cukor's People: Acting for a Master Director by Joseph McBride (review)
  2. Elyce Rae Helford
  3. pp. 105-107
  4. DOI: https://doi.org/10.1353/flm.2024.a947134
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  1. Changed Men: Veterans in American Popular Culture After World War II by Erin Lee Mock (review)
  2. John Wills
  3. pp. 108-109
  4. DOI: https://doi.org/10.1353/flm.2024.a947135
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  1. Columbo Make Me a Perfect Murder by Amelie Hastie (review)
  2. Liz Dance
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/flm.2024.a947136
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  1. Cinema Is the Strongest Weapon: Race-Making and Resistance in Fascist Italy by Lorenzo Fabbri (review)
  2. Luca Barattoni
  3. pp. 112-115
  4. DOI: https://doi.org/10.1353/flm.2024.a947137
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  1. The Magic Hours: The Films and Hidden Life of Terrence Malick by John Bleasdale (review)
  2. Martin Woessner
  3. pp. 116-118
  4. DOI: https://doi.org/10.1353/flm.2024.a947138
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  1. Madness at the Movies: Understanding Mental Illness Through Film by James Charney (review)
  2. Shahbaz Khayambashi
  3. pp. 119-121
  4. DOI: https://doi.org/10.1353/flm.2024.a947139
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  1. Peerless, Rouben Mamoulian, Hollywood and Broadway by Kurt Jensen (review)
  2. Kevin Brianton
  3. pp. 122-124
  4. DOI: https://doi.org/10.1353/flm.2024.a947140
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  1. Mary C. McCall Jr., The Rise and Fall of Hollywood's Most Powerful Screenwriter by J. E. Smyth (review)
  2. Kevin Brianton
  3. pp. 125-127
  4. DOI: https://doi.org/10.1353/flm.2024.a947141
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