In this Issue

Table of Contents

Introduction to Special Issue on German Theatre: Diversity, Contestation, Inclusion

Misha Hadar, Christine Korte
pp. 273-285
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Roma Armee’s Call to Arms: Fostering Non-Territorial Community through Theatre

Natasza S. Gardner
pp. 286-304
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„Zwischen den Welten“. Zum Konzept des Liminalen im Theater polnischer Migrant*innen in Deutschland

Eliza Szymańska
pp. 305-331
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Berlin/Istanbul Again: Theatre, Memory, and the New Wave of Migration

Mert Bahadir Reisoglu
pp. 332-349
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Relating through Opacity: The Versatorium Translation Collective and Elfriede Jelinek’s Die Schutzbefohlenen

Robin Ellis
pp. 350-370
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When We Become Many: Diversity and Collective Responsibility in Christoph Schlingensief’s Chance 2000

Bettina Christner
pp. 371-387
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Globalized Theatre | Tokenized Performance: Milo Rau’s German Intercultural Theatre in Belgium

Lily Climenhaga
pp. 388-408
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Decolonizing German and European History at the Museum by Katrin Sieg (review)

Lisa Skwirblies
pp. 409-411
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The Schaubühne Berlin under Thomas Ostermeier: Reinventing Realism ed. by Peter M. Boenisch (review)

Andrew Friedman
pp. 412-414
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Theaterwissenschaft postkolonial/dekolonial: Eine kritische Bestandsaufnahme ed. by Azadeh Sharifi and Lisa Skwirblies (review)

Katrin Sieg
pp. 414-417
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Die Geschichte des türkisch-deutschen Theaters und Kabaretts. Vier Jahrzehnte Migrantenbühne in der Bundesrepublik (1961–2004) by Erol M. Boran (review)

Jörg Esleben
pp. 417-418
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