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In this Issue

Table of Contents

  1. Introduction to Special Issue on German Theatre: Diversity, Contestation, Inclusion
  2. Misha Hadar, Christine Korte
  3. pp. 273-285
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  1. Roma Armee’s Call to Arms: Fostering Non-Territorial Community through Theatre
  2. Natasza S. Gardner
  3. pp. 286-304
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  1. „Zwischen den Welten“. Zum Konzept des Liminalen im Theater polnischer Migrant*innen in Deutschland
  2. Eliza Szymańska
  3. pp. 305-331
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  1. Berlin/Istanbul Again: Theatre, Memory, and the New Wave of Migration
  2. Mert Bahadir Reisoglu
  3. pp. 332-349
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  1. Relating through Opacity: The Versatorium Translation Collective and Elfriede Jelinek’s Die Schutzbefohlenen
  2. Robin Ellis
  3. pp. 350-370
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  1. When We Become Many: Diversity and Collective Responsibility in Christoph Schlingensief’s Chance 2000
  2. Bettina Christner
  3. pp. 371-387
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  1. Globalized Theatre | Tokenized Performance: Milo Rau’s German Intercultural Theatre in Belgium
  2. Lily Climenhaga
  3. pp. 388-408
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  1. Decolonizing German and European History at the Museum by Katrin Sieg (review)
  2. Lisa Skwirblies
  3. pp. 409-411
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  1. The Schaubühne Berlin under Thomas Ostermeier: Reinventing Realism ed. by Peter M. Boenisch (review)
  2. Andrew Friedman
  3. pp. 412-414
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  1. Theaterwissenschaft postkolonial/dekolonial: Eine kritische Bestandsaufnahme ed. by Azadeh Sharifi and Lisa Skwirblies (review)
  2. Katrin Sieg
  3. pp. 414-417
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  1. Die Geschichte des türkisch-deutschen Theaters und Kabaretts. Vier Jahrzehnte Migrantenbühne in der Bundesrepublik (1961–2004) by Erol M. Boran (review)
  2. Jörg Esleben
  3. pp. 417-418
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