In this Issue

Table of Contents

Introduction to Special Double Issue on Music Information Literacy and Instruction, Part 2

Misti Shaw
pp. 241-244
DOI: https://doi.org/10.1353/not.2024.a944634
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The Music Companion to the Framework for Information Literacy: Background, Process, and a New Guiding Document

Angela L. Pratesi, Andrea Beckendorf, Erin Conor, Veronica A. Wells, Tom Bickley, Anna Grau Schmidt
pp. 245-266
DOI: https://doi.org/10.1353/not.2024.a944635
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Weaving A Rich Tapestry: Information Literacy Presentations and Posters at the MLA Annual Meeting, 2000–2024

Andrea Beckendorf, Sara J. Beutter Manus
pp. 267-285
DOI: https://doi.org/10.1353/not.2024.a944636
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Music Information Literacy in Conference Media and Published Literature: An Annotated Bibliography

Emily Vickers
pp. 286-321
DOI: https://doi.org/10.1353/not.2024.a944637
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Notes for Notes

Melissa Weber
pp. 322-323
DOI: https://doi.org/10.1353/not.2024.a944638
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Schubert: A Musical Wayfarer by Lorraine Byrne Bodley (review)

Geoffrey Block
pp. 324-331
DOI: https://doi.org/10.1353/not.2024.a944639
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Schubert's String Quartets: The Teleology of Lyric Form by Anne M. Hyland (review)

Marie Sumner Lott
pp. 331-334
DOI: https://doi.org/10.1353/not.2024.a944640
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Managing Institutional Recordings ed. by Beth Thompson and Liza Weisbrod (review)

Maristella Feustle
pp. 335-337
DOI: https://doi.org/10.1353/not.2024.a944641
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Key Changes: The Ten Times Technology Transformed the Music Industry by Howie Singer and Bill Rosenblatt (review)

Aaron J. West
pp. 337-339
DOI: https://doi.org/10.1353/not.2024.a944642
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Ma Chère Maman—Mon Cher Enfant: The Letters of Lucien and Louise Durosoir, 1914–1919 transed. by Elizabeth Schoonmaker Auld (review)

Michael Strasser
pp. 340-342
DOI: https://doi.org/10.1353/not.2024.a944643
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Time's Echo: The Second World War, the Holocaust, and the Music of Remembrance by Jeremy Eichler (review)

Jane Gottlieb
pp. 342-345
DOI: https://doi.org/10.1353/not.2024.a944644
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Becoming Ella Fitzgerald: The Jazz Singer Who Transformed American Song by Judith Tick (review)

Stuart Nicholson
pp. 346-353
DOI: https://doi.org/10.1353/not.2024.a944645
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Biography of a Phantom: A Robert Johnson Blues Odyssey by Robert "Mack" McCormick (review)

Edward Komara
pp. 353-357
DOI: https://doi.org/10.1353/not.2024.a944646
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Hidden Treasures: Cultural, Social, and Political Commentary in Mahler's Songs from Des Knaben Wunderhorn by Molly M. Breckling (review)

James L. Zychowicz
pp. 357-360
DOI: https://doi.org/10.1353/not.2024.a944647
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The Songs of Jean Sibelius: Poetry, Music, Performance by Gustav Djupsjöbacka (review)

Lina Sheahan
pp. 360-362
DOI: https://doi.org/10.1353/not.2024.a944648
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Amazing Grace: A Cultural History of the Beloved Hymn by James Walvin (review)

Philip Vandermeer
pp. 363-365
DOI: https://doi.org/10.1353/not.2024.a944649
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Song, Landscape, and Identity in Medieval Northern France: Toward an Environmental History by Jennifer Saltzstein (review)

Kathleen Sewright
pp. 366-368
DOI: https://doi.org/10.1353/not.2024.a944650
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Music in Medieval Rituals for the End of Life by Elaine Stratton Hild (review)

Bradford Lee Eden
pp. 368-371
DOI: https://doi.org/10.1353/not.2024.a944651
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The Motet in the Late Middle Ages by Margaret Bent (review)

Anna Grau Schmidt
pp. 371-374
DOI: https://doi.org/10.1353/not.2024.a944652
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New Orleans and the Creation of Transatlantic Opera, 1819–1859 by Charlotte Bentley (review)

C. A. Norling
pp. 374-377
DOI: https://doi.org/10.1353/not.2024.a944653
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Puccini in Context ed. by Alexandra Wilson (review)

Harry N. Dunstan, Kay Krekow
pp. 377-380
DOI: https://doi.org/10.1353/not.2024.a944654
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The Big Parade: Meredith Willson's Musicals from The Music Man to 1491 by Dominic McHugh (review)

Lara E. Housez
pp. 380-382
DOI: https://doi.org/10.1353/not.2024.a944655
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On Music Theory and Making Music More Welcoming for Everyone by Philip Ewell (review)

Anders Tobiason
pp. 383-385
DOI: https://doi.org/10.1353/not.2024.a944656
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Hidden Harmonies: Women and Music in Popular Entertainment ed. by Paula J. Bishop and Kendra Preston Leonard (review)

Elissa Stroman
pp. 385-387
DOI: https://doi.org/10.1353/not.2024.a944657
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Exploring Musical Spaces: A Synthesis of Mathematical Approaches by Julian Hook (review)

Paul Lombardi
pp. 387-389
DOI: https://doi.org/10.1353/not.2024.a944658
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Music in Profile: Twelve Performance Studies by John Rink (review)

Erinn E. Knyt
pp. 389-392
DOI: https://doi.org/10.1353/not.2024.a944659
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Liszt in Context ed. by Joanne Cormac (review)

Reeves Shulstad
pp. 392-395
DOI: https://doi.org/10.1353/not.2024.a944660
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Camille Saint-Saëns, Organist–Composer by Rollin Smith (review)

Richard Brasier
pp. 395-397
DOI: https://doi.org/10.1353/not.2024.a944661
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Spiritual Dimensions in the Music of Edmund Rubbra by Lucinda Cradduck (review)

Christopher M. Scheer
pp. 397-400
DOI: https://doi.org/10.1353/not.2024.a944662
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Music in Golden-Age Florence, 1250–1750: From the Priorate of the Guilds to the End of the Medici Grand Duchy by Anthony M. Cummings (review)

Carmela Bongiovanni
pp. 400-402
DOI: https://doi.org/10.1353/not.2024.a944663
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The Strauss Dynasty and Habsburg Vienna by David Wyn Jones (review)

Nancy November
pp. 402-405
DOI: https://doi.org/10.1353/not.2024.a944664
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Books Recently Published

James Procell, Matthew Ertz
pp. 406-418
DOI: https://doi.org/10.1353/not.2024.a944665
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The Planets by Gustav Holst (review)

James Brooks Kuykendall
pp. 419-421
DOI: https://doi.org/10.1353/not.2024.a944666
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Il canto sospeso by Luigi Nono (review)

Ben Earle
pp. 422-426
DOI: https://doi.org/10.1353/not.2024.a944667
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Quarterly Scores List: Solo Works for Classical Guitar by Black Composers

Damian Lamont Goggans, Kathleen A. Abromeit
pp. 427-431
DOI: https://doi.org/10.1353/not.2024.a945749
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