+ MUSE Alert

In this Issue

Table of Contents

  1. Spotlight: Disability Caucus
  2. Geneveive Newman, James Deaville, Andi Gilker
  3. pp. 1-4
  4. DOI: https://doi.org/10.1353/cj.2024.a944422
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Spotlight: Darshana Sreedhar Mini and Monika Mehta in Conversation about Censorship in India
  2. Darshana Sreedhar Mini, Monika Mehta
  3. pp. 5-13
  4. DOI: https://doi.org/10.1353/cj.2024.a944423
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. The Subjective Apparatus: First-Person Films and the Fundamental Subjectivity of Virtual Reality
  2. Philippe Bédard
  3. pp. 14-37
  4. DOI: https://doi.org/10.1353/cj.2024.a944424
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Cine-mapping: Charting the Use of Scripted Spaces in Screen Tourism
  2. Liam Burke, Jessica Balanzategui, Tara Lomax
  3. pp. 38-65
  4. DOI: https://doi.org/10.1353/cj.2024.a944425
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Conspiracy Theory Goes to Hollywood: An Audiovisual Analysis of the Documentary Film Plandemic
  2. Matthias De Bondt, Stef Aupers, Roel Vande Winkel
  3. pp. 66-86
  4. DOI: https://doi.org/10.1353/cj.2024.a944426
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Projection Instructions and the Distribution of Expanded Cinema
  2. Josh Guilford
  3. pp. 87-114
  4. DOI: https://doi.org/10.1353/cj.2024.a944427
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. "She Was Just a Chorus Girl, Baby": Nina Mae McKinney and the Hollywood Supernova
  2. Philana Payton
  3. pp. 115-140
  4. DOI: https://doi.org/10.1353/cj.2024.a944428
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. "What Goes on in the Windshield": Rear-Projection and On-Screen Automobility
  2. Michael Stock
  3. pp. 141-167
  4. DOI: https://doi.org/10.1353/cj.2024.a944429
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. In Focus Introduction: AI and the Moving Image
  2. Mihaela Mihailova
  3. pp. 170-174
  4. DOI: https://doi.org/10.1353/cj.2024.a944430
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Ghosts in the Celluloid: AI Video Dubbing and TrueSync
  2. Christopher Holliday
  3. pp. 175-182
  4. DOI: https://doi.org/10.1353/cj.2024.a944431
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Emissary of Another Intelligence: Ian Cheng and the Art of AI
  2. Rob King
  3. pp. 183-188
  4. DOI: https://doi.org/10.1353/cj.2024.a944432
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. To Err Is Generative: The Flaw as Flow in Prompt-Based Animation
  2. Mihaela Mihailova
  3. pp. 189-195
  4. DOI: https://doi.org/10.1353/cj.2024.a944433
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. The Threat of the AI Actor
  2. Tanine Allison
  3. pp. 196-201
  4. DOI: https://doi.org/10.1353/cj.2024.a944434
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. The Synthetic Real: AI-Documentary Connections
  2. Joshua Glick
  3. pp. 202-207
  4. DOI: https://doi.org/10.1353/cj.2024.a944435
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood by Diana W. Anselmo (review)
  2. Jocelyn E. Marshall
  3. pp. 221-225
  4. DOI: https://doi.org/10.1353/cj.2024.a944437
  5. restricted access
    • HTML icon View
    • PDF icon Download
  1. Listening with a Feminist Ear: Soundwork in Bombay Cinema by Pavitra Sundar (review)
  2. Ramna Walia
  3. pp. 238-242
  4. DOI: https://doi.org/10.1353/cj.2024.a944439
  5. restricted access
    • HTML icon View
    • PDF icon Download