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Table of Contents

  1. Introduction: The Terms of the Political
  2. Thomas Constantinesco, Ronan Ludot-Vlasak, Édouard Marsoin
  3. pp. 3-8
  4. DOI: https://doi.org/10.1353/lvn.2024.a944381
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  1. The Ghost of Anacharsis Cloots
  2. Lenora Warren
  3. pp. 9-22
  4. DOI: https://doi.org/10.1353/lvn.2024.a944382
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  1. Whiteness, Cosmopolitanism, and the Clootsian Body Politic in The Confidence-Man
  2. Peter W. Brown
  3. pp. 23-39
  4. DOI: https://doi.org/10.1353/lvn.2024.a944383
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  1. The Revolt of the "Blind Slave": White Oversight in "The Bell-Tower"
  2. Kelly Ross
  3. pp. 40-54
  4. DOI: https://doi.org/10.1353/lvn.2024.a944384
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  1. Piercing the Corporate Whale: Agents, Principals, and the Personified Impersonal in Moby-Dick
  2. Geoffrey R. Kirsch
  3. pp. 55-68
  4. DOI: https://doi.org/10.1353/lvn.2024.a944385
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  1. The "Mystical Cosmetic": White Light and the Ideology of Energy in Moby-Dick
  2. Paul Downes
  3. pp. 69-80
  4. DOI: https://doi.org/10.1353/lvn.2024.a944386
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  1. "If more than once": Tyranny and "Timoleon"
  2. Elizabeth Duquette
  3. pp. 81-98
  4. DOI: https://doi.org/10.1353/lvn.2024.a944387
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  1. Ahab Unbound: Melville and the Materialist Turn ed. by Meredith Farmer and Jonathan D.S. Schroeder (review)
  2. Michael Jonik
  3. pp. 101-108
  4. DOI: https://doi.org/10.1353/lvn.2024.a944388
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  1. Dayswork by Chris Bachelder and Jennifer Habel (review)
  2. Nicole Emanuel
  3. pp. 109-112
  4. DOI: https://doi.org/10.1353/lvn.2024.a944389
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  1. All Astir
  2. Mary K. Bercaw Edwards
  3. pp. 115-126
  4. DOI: https://doi.org/10.1353/lvn.2024.a944390
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  1. Melville's Intertextualities: The Varieties of Influence
  2. Justina Torrance, Shawn Thomson, Emilio Irigoyen
  3. pp. 127-130
  4. DOI: https://doi.org/10.1353/lvn.2024.a944391
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  1. Melville and the Gods
  2. Sami H Atassi, Ross Bullen, Tony Papanikolas, Amelia Rodgers
  3. pp. 131-134
  4. DOI: https://doi.org/10.1353/lvn.2024.a944392
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  1. Editorial Note
  3. p. 135
  4. DOI: https://doi.org/10.1353/lvn.2024.a944393
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