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In this Issue

Table of Contents

  1. Women Thinking in Public: An Introduction
  2. Catherine Keyser, Debra Rae Cohen
  3. pp. 369-384
  4. DOI: https://doi.org/10.1353/mfs.2024.a942193
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  1. On Jacob's Room: The Figure and Ground of Protest
  2. Sarah Cole, Anne E. Fernald, Paul K. Saint-Amour, Urmila Seshagiri
  3. pp. 385-408
  4. DOI: https://doi.org/10.1353/mfs.2024.a942194
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  1. The Kinesthetic Turn: Jessie Redmon Fauset and the Machinery of Dance Modernism
  2. Zoë L. Henry
  3. pp. 409-432
  4. DOI: https://doi.org/10.1353/mfs.2024.a942195
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  1. Thinking with the Girls with Burning Hinder Parts: Process, Revision, and Uncertainty in Djuna Barnes's Ladies Almanack
  2. Kate Schnur
  3. pp. 433-455
  4. DOI: https://doi.org/10.1353/mfs.2024.a942196
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  1. "I Saw and Felt the Class Lines": Class Divides, Forced Sterilization, and Literary Form in Meridel Le Sueur's The Girl
  2. Jolene Hubbs
  3. pp. 456-476
  4. DOI: https://doi.org/10.1353/mfs.2024.a942197
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  1. "What was failure? What was success?": The Impostor Syndrome's Literary Transformations
  2. Kait Pinder
  3. pp. 477-500
  4. DOI: https://doi.org/10.1353/mfs.2024.a942198
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  1. Cellular Self-Making: Octavia E. Butler, "Childfinder," and the Hypno-Psionic Impulse
  2. Alyssa Collins
  3. pp. 501-517
  4. DOI: https://doi.org/10.1353/mfs.2024.a942199
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  1. Olga Ravn and the Logic of the Lyric Essay
  2. Bridget Vincent
  3. pp. 518-537
  4. DOI: https://doi.org/10.1353/mfs.2024.a942200
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  1. Mistakes Were Made: Overthinking and the Contemporary Woman Writer
  2. Melanie Micir
  3. pp. 538-554
  4. DOI: https://doi.org/10.1353/mfs.2024.a942201
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  1. Contributors
  2. pp. 555-556
  3. DOI: https://doi.org/10.1353/mfs.2024.a942202
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