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Table of Contents

  1. Free Agent
  2. Ginger Ko
  3. pp. 7-296
  4. DOI: https://doi.org/10.1353/plc.2024.a941226
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  1. Sycamore Song
  2. Munira Tabassum Ahmed
  3. p. 9
  4. DOI: https://doi.org/10.1353/plc.2024.a941227
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  1. Beach Reading
  2. Issam Zineh
  3. pp. 10-11
  4. DOI: https://doi.org/10.1353/plc.2024.a941228
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  1. Substratum
  2. Kate Sweeney
  3. p. 12
  4. DOI: https://doi.org/10.1353/plc.2024.a941229
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  1. Wilding, and: Self-Portrait: Miami, 1984
  2. Shara McCallum
  3. pp. 13-15
  4. DOI: https://doi.org/10.1353/plc.2024.a941230
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  1. The Female Nude
  2. Megan J. Arlett
  3. pp. 17-22
  4. DOI: https://doi.org/10.1353/plc.2024.a941231
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  1. Visitation
  2. Chantal James
  3. pp. 23-32
  4. DOI: https://doi.org/10.1353/plc.2024.a941232
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  1. Fata Morgana
  2. Morgan Rose-Marie
  3. pp. 34-40
  4. DOI: https://doi.org/10.1353/plc.2024.a941233
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  1. The Lost History of the Ames Friendship Library
  2. Abby Manzella
  3. pp. 41-48
  4. DOI: https://doi.org/10.1353/plc.2024.a941234
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  1. There Is a Field, I'll Meet You There
  2. Josh Emmons
  3. pp. 49-57
  4. DOI: https://doi.org/10.1353/plc.2024.a941235
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  1. Scenes from an Interrogation
  2. Jane Zwart
  3. p. 60
  4. DOI: https://doi.org/10.1353/plc.2024.a941236
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  1. You Lose Everything
  2. Sally Rosen Kindred
  3. p. 61
  4. DOI: https://doi.org/10.1353/plc.2024.a941237
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  1. When I Am a Tree
  2. Laurie Blauner
  3. p. 62
  4. DOI: https://doi.org/10.1353/plc.2024.a941238
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  1. On the Other Side
  2. Allison Funk
  3. p. 63
  4. DOI: https://doi.org/10.1353/plc.2024.a941239
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  1. [If you feel like a bitter animal..]; [These thieves running the country…]; [Another way to see clarity…]
  2. William Archila
  3. pp. 64-66
  4. DOI: https://doi.org/10.1353/plc.2024.a941240
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  1. Svatava Antošová : Introduction and Translator's Note, and: Pedal, and: Pedál, and: Disappeared without a trace, and: Zmizelé stopy, and: Graveyard and Girl, and: Hřbitov a děvčátko
  2. Marcela Sulak, Svatava Antošová
  3. pp. 69-93
  4. DOI: https://doi.org/10.1353/plc.2024.a941241
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  1. August, and: The Museum of Few Exhibits, and: Harriet, and: Instinctual Behaviors
  2. Jared Povanda
  3. pp. 96-103
  4. DOI: https://doi.org/10.1353/plc.2024.a941242
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  1. Part One: Haploid Avery, and: Dwight
  2. Jacinda Townsend
  3. pp. 104-107
  4. DOI: https://doi.org/10.1353/plc.2024.a941243
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  1. Book of Emerging Forth into the Light, and: notes on anxiety that bubbled up from nowhere
  2. Mollie Swayne
  3. pp. 110-111
  4. DOI: https://doi.org/10.1353/plc.2024.a941244
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  1. Telemachus
  2. grace (ge) gilbert
  3. pp. 112-113
  4. DOI: https://doi.org/10.1353/plc.2024.a941245
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  1. Matinee
  2. David Petruzelli
  3. p. 114
  4. DOI: https://doi.org/10.1353/plc.2024.a941246
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  1. Nesting
  2. Stefanie Kirby
  3. p. 115
  4. DOI: https://doi.org/10.1353/plc.2024.a941247
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  1. I've Been Both Boys
  2. Eric Paul
  3. p. 116
  4. DOI: https://doi.org/10.1353/plc.2024.a941248
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  1. Brace Cove
  2. Keetje Kuipers
  3. p. 117
  4. DOI: https://doi.org/10.1353/plc.2024.a941249
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  1. You Fell Asleep
  2. Rebecca Foust
  3. p. 118
  4. DOI: https://doi.org/10.1353/plc.2024.a941250
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  1. Opening
  2. Chelsea B. DesAutels
  3. pp. 119-120
  4. DOI: https://doi.org/10.1353/plc.2024.a941251
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  1. Postcards from Virginia
  2. Vanessa Blakeslee
  3. pp. 123-131
  4. DOI: https://doi.org/10.1353/plc.2024.a941252
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  1. Dark Sky
  2. Cicily Bennion
  3. pp. 134-140
  4. DOI: https://doi.org/10.1353/plc.2024.a941253
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  1. nobody wants to get deported
  2. daniel barrios
  3. pp. 143-149
  4. DOI: https://doi.org/10.1353/plc.2024.a941254
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  1. Estrella Distante
  2. Alena Graedon
  3. pp. 151-160
  4. DOI: https://doi.org/10.1353/plc.2024.a941255
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  1. Groucho's Mirror Scene, Duck Soup (1933)
  2. Marina Greenfeld
  3. p. 161
  4. DOI: https://doi.org/10.1353/plc.2024.a941256
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  1. Thalassophobia
  2. Quinn Franzen
  3. pp. 162-163
  4. DOI: https://doi.org/10.1353/plc.2024.a941257
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  1. Bradley Cooper's Jewish Nose wants to meet for brunch on Sunday
  2. Jared Beloff
  3. p. 164
  4. DOI: https://doi.org/10.1353/plc.2024.a941258
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  1. I Give My Octopus Lover a Ring
  2. Benjamin S. Grossberg
  3. pp. 165-166
  4. DOI: https://doi.org/10.1353/plc.2024.a941259
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  1. Particulars
  2. Lizzy Beck
  3. p. 167
  4. DOI: https://doi.org/10.1353/plc.2024.a941260
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  1. The Bacchae
  2. Brandon Downing
  3. p. 168
  4. DOI: https://doi.org/10.1353/plc.2024.a941261
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  1. On Cheers, Diane Has Pursued Graduate Degrees in 37 Disciplines
  2. Abbie Kiefer
  3. p. 169
  4. DOI: https://doi.org/10.1353/plc.2024.a941262
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  1. Therapy, and: Practice, and: As far as I got, and: Thrush
  2. Mischa Kuczynski
  3. pp. 170-173
  4. DOI: https://doi.org/10.1353/plc.2024.a941263
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  1. Change Rules!: An Editor's Note on the Computational Poetics Folio
  2. Caroline Crew
  3. pp. 177-180
  4. DOI: https://doi.org/10.1353/plc.2024.a941264
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  1. Lineage Anagrams I, and: Lineage Anagrams II, and: Lineage Anagrams III, and: Lineage Anagrams IIII, and: #Lineage Anagram Sestina #Python3, 2022, and: LINEAGE ANAGRAM SESTINA, and: Lineage Anagram Sestina
  2. Lillian-Yvonne Bertram
  3. pp. 183-196
  4. DOI: https://doi.org/10.1353/plc.2024.a941265
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  1. Tasting Notes
  2. Allison Parrish
  3. pp. 197-207
  4. DOI: https://doi.org/10.1353/plc.2024.a941266
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  1. A World Encoded
  2. Katherine Yang
  3. pp. 220-225
  4. DOI: https://doi.org/10.1353/plc.2024.a941267
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  1. Broken Circles of Time
  2. Sergio Troncoso
  3. pp. 229-237
  4. DOI: https://doi.org/10.1353/plc.2024.a941268
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  1. The Viennese Fiddler
  2. Jeffrey Condran
  3. pp. 238-248
  4. DOI: https://doi.org/10.1353/plc.2024.a941269
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  1. Oak Ridge, 1988
  2. Jaya Tripathi
  3. pp. 250-251
  4. DOI: https://doi.org/10.1353/plc.2024.a941270
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  1. After the Abortion
  2. Nina C. Peláez
  3. pp. 252-253
  4. DOI: https://doi.org/10.1353/plc.2024.a941271
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  1. Takeout
  2. Jackie Craven
  3. p. 254
  4. DOI: https://doi.org/10.1353/plc.2024.a941272
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  1. Redbud
  2. Claressinka Anderson
  3. pp. 255-256
  4. DOI: https://doi.org/10.1353/plc.2024.a941273
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  1. Cloth Mother
  2. Meg Reynolds
  3. p. 257
  4. DOI: https://doi.org/10.1353/plc.2024.a941274
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  1. Mythos
  2. Lupita Eyde-Tucker
  3. p. 258
  4. DOI: https://doi.org/10.1353/plc.2024.a941275
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  1. That Girl
  2. Shinelle L. Espaillat
  3. pp. 260-267
  4. DOI: https://doi.org/10.1353/plc.2024.a941276
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  1. The Uncomfortable Truth
  2. Debra Weiner
  3. pp. 268-272
  4. DOI: https://doi.org/10.1353/plc.2024.a941277
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  1. Matters of Distance: On Consent, Documentary Practices, and the Nevada Desert
  2. Laura Wetherington
  3. pp. 273-281
  4. DOI: https://doi.org/10.1353/plc.2024.a941278
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  1. Prayer of the Immigrant's Son for Deliverance (1983–2008)
  2. Janiru Liyanage
  3. pp. 284-285
  4. DOI: https://doi.org/10.1353/plc.2024.a941279
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  1. Blue, and: Open a door into grief
  2. Sebastian Merrill
  3. pp. 286-289
  4. DOI: https://doi.org/10.1353/plc.2024.a941280
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  1. Involuntary Commitment #3
  2. Colin Dekeersgieter
  3. pp. 290-292
  4. DOI: https://doi.org/10.1353/plc.2024.a941281
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  1. The Tortuosa Beech
  2. Jeffrey Harrison
  3. pp. 293-294
  4. DOI: https://doi.org/10.1353/plc.2024.a941282
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  1. Aubade
  2. Kelan Nee
  3. p. 295
  4. DOI: https://doi.org/10.1353/plc.2024.a941283
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  1. Contributor Notes
  3. pp. 297-305
  4. DOI: https://doi.org/10.1353/plc.2024.a941284
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