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Table of Contents

  1. Statement of Retraction
  2. p. x
  3. DOI: https://doi.org/10.1353/ncf.2024.a941902
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  1. Incipit: Lire la littérature du dix-neuvième siècle avec la philosophie?
  2. Jacques-David Ebguy, Juliette Grange
  3. pp. 1-31
  4. DOI: https://doi.org/10.1353/ncf.2024.a941903
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Invited Essay

  1. Madmen and Matriarchs: Gender, Race, and the Reimagining of Creole Identity in Johnelle, by Alfred Mercier
  2. Lise Schreier
  3. pp. 32-53
  4. DOI: https://doi.org/10.1353/ncf.2024.a941904
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Articles

  1. “Un son si étrange”: Writing Dissonance in Les Chants de Maldoror
  2. Madeleine Wolf
  3. pp. 54-69
  4. DOI: https://doi.org/10.1353/ncf.2024.a941905
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  1. Mallarmé et le livre-fétiche (Variations sur un sujet)
  2. Jean-Nicolas Illouz
  3. pp. 70-84
  4. DOI: https://doi.org/10.1353/ncf.2024.a941906
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  1. “Des œuvres solides et vivantes qu’il rêvait”: Rethinking Claude Lantier’s Chef d’œuvre
  2. Allison Deutsch
  3. pp. 85-106
  4. DOI: https://doi.org/10.1353/ncf.2024.a941907
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  1. Écrire la fin du monde: poétique de l’ellipse dans “Le Phénomène futur” de Mallarmé
  2. Julien Weber
  3. pp. 107-121
  4. DOI: https://doi.org/10.1353/ncf.2024.a941908
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  1. Scenting Sapphic Elegance and Queer Promises: Advertisements for Amaryllis du Japon (1891–94)
  2. Hyoungee Kong
  3. pp. 122-141
  4. DOI: https://doi.org/10.1353/ncf.2024.a941909
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  1. La relation des horizons: l’Alsace et l’Algérie, par les liens de la défaite (1870–1914)
  2. Marion Glaumaud-Carbonnier
  3. pp. 142-157
  4. DOI: https://doi.org/10.1353/ncf.2024.a941910
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