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In this Issue

Table of Contents

  1. Editor's Foreword
  2. J. Chris Westgate
  3. pp. v-vi
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  1. Pauline Lord's "My Anna Christie" a Century Later
  2. Katie N. Johnson
  3. pp. 121-130
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  1. Eugene O'neill and the Unity of Addiction
  2. Max Shulman
  3. pp. 131-151
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  1. All God's Chillun Got Wings: Whiteness as Property
  2. Ronald Quirk
  3. pp. 152-170
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  1. An Unexpected Arc of Agency: A Conversation
  2. Beth Wynstra, Eric Fraisher Hayes
  3. pp. 171-179
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  1. "My Anna Christie" a Century Later: Speaking Oneself into Existence as Anna and as Actor
  2. Adrian Deane Brannen-Jurgenson
  3. pp. 180-187
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  1. Acts of Recovery: Eugene O'Neill and Addiction Treatment in Post–World War II America
  2. Rebecca (Ormiston) Eacho
  3. pp. 188-193
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  1. Racing the Great White Way: Black Performance, Eugene O'Neill, and the Transformation of Broadway by Katie N. Johnson (review)
  2. David Palmer
  3. pp. 194-198
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  1. Macbeth in Harlem: Black Theater in America from the Beginning to Raisin in the Sun by Clifford Mason (review)
  2. Max Shulman
  3. pp. 199-202
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  1. Doom, Desire and the Polis in Eugene O'neill's Drama by Adel Bahroun (review)
  2. Daniel Larner
  3. pp. 203-207
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  1. Susan Glaspell in Context ed. by J. Ellen Gainor (review)
  2. Carol DeBoer-Langworthy
  3. pp. 208-211
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  1. Long Day's Journey Into Night by Jeremy Herrin (review)
  2. David Clare
  3. pp. 212-218
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  1. Ah, Wilderness! by Eugene O'Neill (review)
  2. Kenzie Lynn Bradley
  3. pp. 219-222
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  1. Big Trip 2: Three Love Stories Near the Railroad by Krymov Lab NYC (review)
  2. Melissa Lin Sturges
  3. pp. 223-227
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  1. A Moon for the Misbegotten by Eugene O'Neill (review)
  2. Michael Y. Bennett
  3. pp. 228-230
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  1. "Anna Christie" by Eugene O'Neill (review)
  2. J. Chris Westgate
  3. pp. 231-234
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Previous Issue

Volume 45, Number 1, 2024