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In this Issue

Table of Contents

  1. Editor's Introduction
  2. Cynthia Baron
  3. p. 3
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  1. From Self-Promotion to Demystification: Self-Reflexivity and Realism in Chinese Cinema
  2. Ting Luo
  3. pp. 5-18
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  1. The Omnipresent Gaze: Exploring Surveillance in Amir Naderi's Goodbye Friend (1971)
  2. Javad Nematollahi, Alireza Sayyad
  3. pp. 19-30
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  1. Wooded and Watery Landscapes: Evolving Hollywood Depictions of "the Wilderness" and "the Frontier"
  2. Yining Zhou
  3. pp. 31-44
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  1. Automobility in Daniel Oriahi's Taxi Driver: Oko Ashewo (2015) and Rogba Arimoro's Tokunbo (2019)
  2. Chikwurah Destiny Isiguzo
  3. pp. 45-57
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