In this Issue

Table of Contents

The Ecology of Virginia Woolf's London Scene

Kate M. Nash
pp. 1-19
DOI: https://doi.org/10.2979/jml.00041
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Moments of Rupture: Woolf, Whitehead, Deleuze

Gabriel Quigley
pp. 20-38
DOI: https://doi.org/10.2979/jml.00042
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Years and Years: The Distribution of the Sensible in Woolf and Ernaux

Timothy O'Leary
pp. 39-54
DOI: https://doi.org/10.2979/jml.00043
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Vernacular Acoustics: Caste, Embodiment, and the Politics of Listening in Mulk Raj Anand's Untouchable (1935)

Abhipsa Chakraborty
pp. 55-72
DOI: https://doi.org/10.2979/jml.00044
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"To Suggest the Sound": Impressibility and the Language of Whiteness in Charles W. Chesnutt's Long Fiction

Carly Overfelt
pp. 73-90
DOI: https://doi.org/10.2979/jml.00045
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"A Fascination, Strange and Compelling": Marriage as the Prevention of Queerness in Nella Larsen's Passing

Lillianna G. Wright
pp. 91-106
DOI: https://doi.org/10.2979/jml.00046
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E.M. Forster's Female Musicality: Inconclusive Counter-romance in A Room with a View

Ryan James McGuckin
pp. 107-125
DOI: https://doi.org/10.2979/jml.00047
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The Consolations of Decadence in John Fante's Ask the Dust

Tim Clarke
pp. 126-143
DOI: https://doi.org/10.2979/jml.00048
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Sisyphean or Medusan: The Absurd Hero in Jean Rhys's Good Morning, Midnight and Wide Sargasso Sea

Susan Poursanati, Maryam Neyestani
pp. 144-161
DOI: https://doi.org/10.2979/jml.00049
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Rewriting the Narrative of Modernisms

Anna Nygren
pp. 162-167
DOI: https://doi.org/10.2979/jml.00050
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The Once and Always Baroque

Andrew Hui
pp. 168-171
DOI: https://doi.org/10.2979/jml.00051
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How to Be a Critic

Benjamin Schreier
pp. 172-176
DOI: https://doi.org/10.2979/jml.00052
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Memorial tributes

Daniel T. O'Hara
pp. 177-179
DOI: https://doi.org/10.2979/jml.00053
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