In this Issue

Table of Contents

Editorial

The Editors
pp. 7-8
open access

Introduction: Queer and Trans Issues in Medieval Drama

(contributing editor) Jeffery G. Stoyanoff, Nat Rivkin, Gillian Redfern, Daisy Black, Matthew W. Irvin
pp. 9-22
open access

‘Lely-wyte, clene with pure virginyté’: The N-Town ‘Nativity’, the Virgin Mary, and Trans Misogyny

Nat Rivkin
pp. 23-36
open access

On Unstable Ground: Trans-Civic, Trans Gender Fluidity in Chester’s ‘Play of the Flood’

Gillian Redfern
pp. 37-49
open access

Lesbians, Drag Kings, and Pregnant Queens: The Digby Mary Magdalene’s Queer Relationships

Daisy Black
pp. 51-70
open access

‘Be You Never So Gaye’: A Queer Everyman

Matthew W. Irvin
pp. 71-85
open access

Introduction: Gascoigne from the Margins — Mediations, Translations, Appropriations

Silvia Bigliazzi
pp. 87-94
open access

‘A Tragedie Written in Greeke’: How Jocasta was Made ‘Classical’

Silvia Bigliazzi
pp. 95-114
open access

‘To Coosen the Expectation’: George Gascoigne’s Moral ‘Poses’ in Supposes

Silvia Silvestri
pp. 115-131
open access

Between the Stage and the Page: Printed Marginalia in Gascoigne’s Supposes

Cristiano Ragni
pp. 133-144
open access

The Anglo-Catholic Perspective of George Gascoigne’s 1572 Masque of Montacutes

Emanuel Stelzer
pp. 145-156
open access

Through the Looking Glass: Reflections of the Prodigal Daughter

Carla Suthren
pp. 157-170
open access

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Volume 27, Number 1, 2024