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In this Issue

Table of Contents

  1. Prologue
  2. Julia C. Hernández
  3. pp. 5-17
  4. DOI: https://doi.org/10.1353/boc.2024.a938467
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  1. Methods of a Sixteenth-Century Actor-Director: Lope de Rueda’s Performance-Based Approach to Adaptation
  2. Alex J. H. Thomas
  3. pp. 21-36
  4. DOI: https://doi.org/10.1353/boc.2024.a938468
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  1. Marvelous Dualities in Juan Ruiz de Alarcón’s El semejante a sí mismo
  2. José Estrada
  3. pp. 37-56
  4. DOI: https://doi.org/10.1353/boc.2024.a938469
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  1. El gran teatro del mundo de Calderón de la Barca: Ortodoxia y textos prohibidos
  2. Hernán Matzkevich
  3. pp. 57-74
  4. DOI: https://doi.org/10.1353/boc.2024.a938470
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  1. Calderón, Spinoza y los afectos en escena
  2. Clara Monzó Ribes
  3. pp. 75-93
  4. DOI: https://doi.org/10.1353/boc.2024.a938471
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  1. Panorama de la música en el entremés representado del primer Barroco. El caso de Jerónimo de Cáncer
  2. Juan C. González Maya
  3. pp. 95-118
  4. DOI: https://doi.org/10.1353/boc.2024.a938472
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  1. The Wisdom, Unbound, of Szilvia Szmuk-Tanenbaum: On Collaboration, Comedias Sueltas, and Other Scholarly Enterprises
  2. Julia C. Hernández
  3. pp. 119-129
  4. DOI: https://doi.org/10.1353/boc.2024.a938473
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  1. The Diva’s Gift to the Shakespearean Stage: Agency, Theatricality, and the Innamorata by Pamela Allen Brown (review)
  2. David J. Amelang
  3. pp. 131-133
  4. DOI: https://doi.org/10.1353/boc.2024.a938474
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  1. Poesía y música en la Roma barroca. El cancionero español Corsini 625 by Patrizia Botta (review)
  2. Sebastián León
  3. pp. 135-137
  4. DOI: https://doi.org/10.1353/boc.2024.a938475
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  1. Entremeses by Miguel de Cervantes (review)
  2. Javier Rubiera
  3. pp. 145-147
  4. DOI: https://doi.org/10.1353/boc.2024.a938477
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  1. La Araucana by Alonso de Ercilla (review)
  2. Imogen Choi
  3. pp. 149-152
  4. DOI: https://doi.org/10.1353/boc.2024.a938478
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  1. Dramaturgas del Siglo de Oro. Guía completa by Juana Escabias (review)
  2. Victoria Jane Rasbridge
  3. pp. 153-155
  4. DOI: https://doi.org/10.1353/boc.2024.a938479
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  1. Pasiones mitológicas: Tiziano, Veronese, Allori, Rubens, Ribera, Poussin, Van Dyck, Velázquez by Miguel Falomir et al. (review)
  2. Oliver Noble Wood
  3. pp. 157-161
  4. DOI: https://doi.org/10.1353/boc.2024.a938480
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  1. Drawing the Curtain: Cervantes’s Theatrical Revelations ed. by Esther Fernández and Adrienne L. Martín (review)
  2. Melanie Henry
  3. pp. 163-165
  4. DOI: https://doi.org/10.1353/boc.2024.a938481
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  1. El aire español. Usos musicales de la nobleza española en Italia (1580–1640) by Ignacio Rodulfo Hazen (review)
  2. Adriana Beltrán del Río Sousa
  3. pp. 167-170
  4. DOI: https://doi.org/10.1353/boc.2024.a938482
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  1. Literature and Historiography in the Spanish Golden Age: The Poetics of History by Sofie Kluge (review)
  2. Alberto Villate-Isaza
  3. pp. 171-173
  4. DOI: https://doi.org/10.1353/boc.2024.a938483
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  1. The Business of Conquest: Empire, Love, and Law in the Atlantic World by Nicole D. Legnani (review)
  2. Ruth Hill
  3. pp. 175-177
  4. DOI: https://doi.org/10.1353/boc.2024.a938484
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  1. La monja alférez, famosa comedia atribuida a Juan Pérez de Montalbán ed. by Gabriel Andrés Renales (review)
  2. Marta Albalá Pelegrín
  3. pp. 179-181
  4. DOI: https://doi.org/10.1353/boc.2024.a938485
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  1. Scripts of Blackness: Early Modern Performance Culture and the Making of Race by Noémie Ndiaye (review)
  2. Sarah J. Adams
  3. pp. 183-186
  4. DOI: https://doi.org/10.1353/boc.2024.a938486
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  1. The Melancholy Void: Lyric and Masculinity in the Age of Góngora by Felipe Valencia (review)
  2. Ignacio Navarrete
  3. pp. 187-189
  4. DOI: https://doi.org/10.1353/boc.2024.a938487
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