Project MUSE - Asian Theatre Journal-Volume 41, Number 2, Fall 2024

From the Editor

Siyuan Liu

pp. iii-vi

DOI: https://doi.org/10.1353/atj.2024.a936935

Speaking of the Spiritual: An Exploration of Knowledge and Pedagogy in Performing Arts in Malang, East Java

Christina Sunardi

pp. 235-268

DOI: https://doi.org/10.1353/atj.2024.a936936

Celebration and Remembrance in Kalibo’s Ati-Atihan: Mythmaking, Devotion, and Cultural Memory

S Anril Tiatco

pp. 269-295

DOI: https://doi.org/10.1353/atj.2024.a936937

The Past in the Present: The Religious and Royal Dimension of Newar Traditional Dance Theatre, Nepal

Gérard Toffin

pp. 296-318

DOI: https://doi.org/10.1353/atj.2024.a936938

Decolonizing and Producing Working-class Theatre in Pakistan: The Poetics and Politics of Sangat Theatre’s Chog Kusumbhey Di (Picking Safflower)

Qaisar Abbas

pp. 319-345

DOI: https://doi.org/10.1353/atj.2024.a936939

Ethos of Yajña Ritual: Mapping Girish Karnad’s The Fire and the Rain

Sangita Patil

pp. 346-359

DOI: https://doi.org/10.1353/atj.2024.a936940

Inventing the Tradition: Hybrid Gudianwu Training and Ambiguous Chineseness

Ziying Cui

pp. 360-384

DOI: https://doi.org/10.1353/atj.2024.a936941

Understanding Reality Through Science Fiction and Digitalization: The Hybrid Theatrical Space in Sun Xiaoxing’s Rhinoceros (2020)

Jasmine Yueming Li

pp. 385-410

DOI: https://doi.org/10.1353/atj.2024.a936942

The Performers’ Brush: A Case Study of Scene Twelve “Composing the Score” (“Zhipu”) in a Mid-Qing Stage Script of Changsheng dian (Palace of Everlasting Life)

Yihui Sheng

pp. 411-424

DOI: https://doi.org/10.1353/atj.2024.a936943

A Babel of Nature: The English-Language Sources of Zheng Junli’s “Tan biaoyan” (On Acting, 1936)

Hanyang Jiang

pp. 425-449

DOI: https://doi.org/10.1353/atj.2024.a936944

Performance Cultures as Epistemic Cultures, Volume I: (Re)Generating Knowledges in Performance and: Performance Cultures as Epistemic Cultures, Volume II: Interweaving Epistemologies by Erika Fischer-Lichte et al (review)

Fabrizio Massini

pp. 450-453

DOI: https://doi.org/10.1353/atj.2024.a936945

Shakespeare & East Asia by Alexa Alice Joubin (review)

Kevin J. Wetmore Jr.

pp. 454-456

DOI: https://doi.org/10.1353/atj.2024.a936946

K-Pop Dance: Fandoming Yourself on Social Media by Chuyun Oh (review)

Emily Wilcox

pp. 456-460

DOI: https://doi.org/10.1353/atj.2024.a936947

The Legend of Prince Golden Calf in China and Korea by Wilt L. Idema and Allard M. Olof (review)

Jennifer M. Yoo

pp. 460-463

DOI: https://doi.org/10.1353/atj.2024.a936948

Kabuki, A Mirror of Japan: Ten Plays That Offer a Glimpse Into Evolving Sensibilities by Matsui Kesako and David Crandall (review)

Jennifer M. Yoo

pp. 463-468

DOI: https://doi.org/10.1353/atj.2024.a936949

Re-Purposing Suzuki: A Hybrid Approach to Actor Training by Maria Porter (review)

Christopher J. Staley

pp. 468-471

DOI: https://doi.org/10.1353/atj.2024.a936950

A Guru’s Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora by Sarah Morelli (review)

Kristen Rudisill

pp. 472-474

DOI: https://doi.org/10.1353/atj.2024.a936951

Asian Theatre Journal

In this Issue

published by

viewing issue

Table of Contents

From the Editor

Articles

Speaking of the Spiritual: An Exploration of Knowledge and Pedagogy in Performing Arts in Malang, East Java

Celebration and Remembrance in Kalibo’s Ati-Atihan: Mythmaking, Devotion, and Cultural Memory

The Past in the Present: The Religious and Royal Dimension of Newar Traditional Dance Theatre, Nepal

Decolonizing and Producing Working-class Theatre in Pakistan: The Poetics and Politics of Sangat Theatre’s Chog Kusumbhey Di (Picking Safflower)

Ethos of Yajña Ritual: Mapping Girish Karnad’s The Fire and the Rain

Inventing the Tradition: Hybrid Gudianwu Training and Ambiguous Chineseness

Understanding Reality Through Science Fiction and Digitalization: The Hybrid Theatrical Space in Sun Xiaoxing’s Rhinoceros (2020)

Emerging Scholars

The Performers’ Brush: A Case Study of Scene Twelve “Composing the Score” (“Zhipu”) in a Mid-Qing Stage Script of Changsheng dian (Palace of Everlasting Life)

A Babel of Nature: The English-Language Sources of Zheng Junli’s “Tan biaoyan” (On Acting, 1936)

Book Reviews

Performance Cultures as Epistemic Cultures, Volume I: (Re)Generating Knowledges in Performance and: Performance Cultures as Epistemic Cultures, Volume II: Interweaving Epistemologies by Erika Fischer-Lichte et al (review)

Shakespeare & East Asia by Alexa Alice Joubin (review)

K-Pop Dance: Fandoming Yourself on Social Media by Chuyun Oh (review)

The Legend of Prince Golden Calf in China and Korea by Wilt L. Idema and Allard M. Olof (review)

Kabuki, A Mirror of Japan: Ten Plays That Offer a Glimpse Into Evolving Sensibilities by Matsui Kesako and David Crandall (review)

Re-Purposing Suzuki: A Hybrid Approach to Actor Training by Maria Porter (review)

A Guru’s Journey: Pandit Chitresh Das and Indian Classical Dance in Diaspora by Sarah Morelli (review)

Previous Issue

Additional Information

Copyright

Additional Issue Materials

Project MUSE Mission