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Front Cover: Kylix with Satyr Seated on an Amphora. Onesimos.
Museum of Fine Arts, Boston. Julia Bradford Huntington James Fund and Museum purchase with funds donated by contribution.
Photograph © 2024 Museum of Fine Arts, Boston.

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Back Cover: Dancing Satyrs from a psykter. Douris Painter.
Extracted from ArchaiOptix, CC-BY-SA-4.0.
https://commons.wikimedia.org/wiki/File:Douris_ARV_446_262_revel_of_satyrs_(02).jpg

Arion: A Journal of the Humanities and the Classics

In this Issue

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The Chorus of Sacrifice From The Mercy: A New Oresteia
David Mason
pp. 57-61
DOI: https://doi.org/10.1353/arn.2024.a935490

Euripides: Cyclops
Herbert Golder
pp. 63-123
DOI: https://doi.org/10.1353/arn.2024.a935491

"Lionized in the Salons of Jerusalem": Louis Alexis's School of Nero
Gideon Nisbet
pp. 125-158
DOI: https://doi.org/10.1353/arn.2024.a935492

Seven Poems
George Kalogeris
pp. 159-168
DOI: https://doi.org/10.1353/arn.2024.a935493

Whence and Whither Theocritus?
Richard Hunter
pp. 169-175
DOI: https://doi.org/10.1353/arn.2024.a935494

A (Partial) Encyclopedia of the Fasces
Helen Roche
pp. 177-191
DOI: https://doi.org/10.1353/arn.2024.a935495

Receiving Virgil in the Twenty-first Century
Stephen Harrison
pp. 193-214
DOI: https://doi.org/10.1353/arn.2024.a935496

Books Received
pp. 215-217
DOI: https://doi.org/10.1353/arn.2024.a935509

Writing in This Issue
pp. 219-221
DOI: https://doi.org/10.1353/arn.2024.a935497

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Volume 31, Number 3, Winter 2024

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