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Table of Contents

  1. Contributors
  2. pp. iii-iv
  3. DOI: https://doi.org/10.1353/sew.2024.a934392
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  1. Venus's Flytrap
  2. John Jeremiah Sullivan
  3. pp. 367-371
  4. DOI: https://doi.org/10.1353/sew.2024.a934393
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  1. Girls I've Known
  2. Urvi Kumbhat
  3. pp. 372-392
  4. DOI: https://doi.org/10.1353/sew.2024.a934394
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  1. P-Town
  2. Whitney Weiss
  3. pp. 393-403
  4. DOI: https://doi.org/10.1353/sew.2024.a934395
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  1. Small Vices
  2. Eduardo Martínez-Leyva
  3. pp. 404-405
  4. DOI: https://doi.org/10.1353/sew.2024.a934396
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  1. The Last Best Ghost Boy
  2. Jami Nakamura Lin
  3. pp. 406-427
  4. DOI: https://doi.org/10.1353/sew.2024.a934397
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  1. Submersions
  2. Jasmin Sandelson
  3. pp. 428-444
  4. DOI: https://doi.org/10.1353/sew.2024.a934398
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  1. America's Museum
  2. Chase Culler
  3. pp. 445-478
  4. DOI: https://doi.org/10.1353/sew.2024.a934399
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  1. Mrs. Flowers
  2. Mary Jo Salter
  3. pp. 479-481
  4. DOI: https://doi.org/10.1353/sew.2024.a934400
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  1. Husbands and Wives: On Sarah Manguso's Liars
  2. Hannah Bonner
  3. pp. 482-492
  4. DOI: https://doi.org/10.1353/sew.2024.a934406
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  1. One More Loca: On Pedro Lemebel
  2. Lily Meyer
  3. pp. 493-498
  4. DOI: https://doi.org/10.1353/sew.2024.a934401
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  1. Eleanor
  2. Caitlin McCormick
  3. pp. 499-522
  4. DOI: https://doi.org/10.1353/sew.2024.a934402
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  1. Riding off into the Sunset: Starring Gary Cooper
  2. William Gay
  3. pp. 523-533
  4. DOI: https://doi.org/10.1353/sew.2024.a934403
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  1. Two Poems
  2. Matthew Nienow
  3. pp. 534-535
  4. DOI: https://doi.org/10.1353/sew.2024.a934404
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  1. False Light: Moral Worldbuilding and the Virtues of Evil
  2. Brandon Taylor
  3. pp. 536-561
  4. DOI: https://doi.org/10.1353/sew.2024.a934405
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