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In this Issue

Table of Contents

  1. Once Upon a Time in Hollywood… Pulp Fiction Turns 30
  2. Scott L. Baugh
  3. pp. 1-15
  4. DOI: https://doi.org/10.1353/scr.2024.a932705
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  1. Pulp Fiction in the Press: 1990s Film Culture Writing and the Creation of Influence
  2. Ryan David Briggs
  3. pp. 16-31
  4. DOI: https://doi.org/10.1353/scr.2024.a932706
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  1. "Pulp Fiction Deserved to Win": Animating Affective Responses to Tarantino's Masterpiece
  2. Jonathan Devine
  3. pp. 32-53
  4. DOI: https://doi.org/10.1353/scr.2024.a932707
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  1. A Band Apart Together: Pulp Fiction and Reservoir Dogs as Deleuzian Assemblages
  2. Kyle Barrett
  3. pp. 54-72
  4. DOI: https://doi.org/10.1353/scr.2024.a932708
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  1. Multiple Personalities of Pulp Fiction's Musical Soundtrack: Liner Notes to a 30th Anniversary
  2. Scott L. Baugh
  3. pp. 73-94
  4. DOI: https://doi.org/10.1353/scr.2024.a932709
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  1. Stories, Frames, and Objects: Pulp Fiction as a Transitional Work
  2. Thomas Britt
  3. pp. 95-112
  4. DOI: https://doi.org/10.1353/scr.2024.a932710
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  1. Walking the Earth between Ezekiel and Kung Fu's Caine: Pulp Fiction and 1990s (Popular) Culture between Irony and 'Reenchantment'
  2. Ilaria W. Biano
  3. pp. 113-129
  4. DOI: https://doi.org/10.1353/scr.2024.a932711
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  1. Pulp Theology: Disputation and Divine Intervention in Pulp Fiction
  2. Matthew Oberrieder, Victor Udwin
  3. pp. 130-148
  4. DOI: https://doi.org/10.1353/scr.2024.a932712
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  1. "And Your Days Are Just About Over": Escaping the Outlived Era in Pulp Fiction and the Later Films of Quentin Tarantino
  2. Kevin Henderson
  3. pp. 149-167
  4. DOI: https://doi.org/10.1353/scr.2024.a932713
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  1. Notes on Contributors
  2. pp. 168-169
  3. DOI: https://doi.org/10.1353/scr.2024.a932714
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