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Table of Contents

  1. The Aural/Visual Synchrony: Opera Film, Close-up, and Cinematic Literacy in Mao-era China (1949–1966)
  2. Qiliang He, Lily Xiangxiang Jiang
  3. pp. 1-22
  4. DOI: https://doi.org/10.1353/cop.2024.a932318
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  1. Acoustic Decorum and the Materiality of Stage Speech: Voice Training at the Central Academy of Drama in Beijing, 1953–1961
  2. Hanyang Jiang
  3. pp. 23-64
  4. DOI: https://doi.org/10.1353/cop.2024.a932319
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  1. Reading as Reliving: The Multimedia Pingshu Romance of the Three Kingdoms and Its Republican-Era Ancestors
  2. Canaan Morse
  3. pp. 65-88
  4. DOI: https://doi.org/10.1353/cop.2024.a932320
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  1. In Memory of Fei Li (1931–2022): A Yangzhou Storyteller and Scholar of Yangzhou Pinghua
  2. Vibeke Børdahl
  3. pp. 89-93
  4. DOI: https://doi.org/10.1353/cop.2024.a932321
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  1. The Stage in the Temple: Ritual Opera in Village Shanxi by David Johnson (review)
  2. Fan Pen Chen
  3. pp. 94-96
  4. DOI: https://doi.org/10.1353/cop.2024.a932322
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